Daniel Campbell Gordon (July 13, 1902 – August 13, 1970) was an American storyboard artist and film director, best known for his work at Famous Studios and Hanna-Barbera Productions. Gordon was one of the first famous film directors. He wrote and directed several Popeye the Sailor and Superman cartoons. Later in his career, he worked on several cartoons featuring Yogi Bear, Huckleberry Hound, and others. His younger brother, George Gordon, also worked for Hanna-Barbera.
Gordon also wrote and illustrated comic books under the pen name "Dang".
Career
Van Beuren Studios, Fleischer Studios and Famous Studios
Dan Gordon started his animation career as a story man at New York's Van Beuren Studios, and by 1936, he received a director's credit there. After Van Beuren closed its animation department in 1936, Gordon and many of his colleagues went to work for Paul Terry’s Terrytoons. It was here that Gordon worked with Joe Barbera (another Van Beuren alumni) on Pink Elephants, a cartoon that Barbera described as "one of the first cartoons I had a hand in actually creating from the beginning.”
Gordon and Barbera headed out West to MGM in 1937, but , Gordon returned to the East shortly thereafter to help re-write the troubled animated feature film, Gulliver’s Travels at Fleischer Studios. Gordon’s rewrites could not save much of Gulliver, but Gordon was instrumental in the success of the Fleischer Studio's next hit: the 1941 Superman theatrical animated shorts.
Gordon was one of four directors put in charge of production when Paramount seized control of the Fleischer studio in Miami. While he only stayed at the newly dubbed Famous Studios for a couple of years, the Popeye shorts he directed are notable for their intense comic energy and extended fourth-wall-breaking gags. The Hungry Goat, released in 1943, stands out as an attempt to popularize his own creation Billy the Kid, a screwball anthropomorphic goat. This work was heavily influenced by contemporary Warner Bros. shorts. The fast-pace of those Popeye cartoons led to the comic book stories he crafted for The American Comics Group (ACG). Gordon was fired from Famous Studios in late 1943 or early 1944, presumably due to alcohol-related problems.
Comic books
Supercut and cartoon animals
Gordon was part of a group of animation pros led by Jim Davis of (Fox and the Crow) fame that supplied original talking-animal comic book stories to ACG and DC Comics. Gordon's work began appearing in Giggle Comics in 1944, and by Giggle #9, he introduced the long-running character Superkatt who was a jab at the “long-underwear” genre of superhero comics. The title's character does not have any superpowers at all but is a normal (talking) house cat that dresses in a diaper, a baby's bonnet, and a big blue bow to fight minor neighborhood injustices.
In 1949 came Funny Films, a talking-animal anthology title that tried to convince the reader that its stories were the filmed exploits of famous Hollywood cartoon characters.
Gordon's Puss and Boots was a dog-and-cat version of Tom and Jerry to the extreme, with its only theme being unbridled cartoon violence. Gordon's other Funny Films character was the comical rabbit inventor Blunder Bunny. In La Salle Comics' Hi-Jinx, he experimented with the hybrid idea of “teenage animal characters”.
Cookie O'Toole
Gordon's major character from this era is Cookie O’Toole, the teenage star of Cookie comics. Cookie's first appearance was in 1945, debuting alongside other major characters, such as Jotterbook, Angelus, Zoot, and “The Brain” in a one-shot issue of Topsy-Turvy Comics. By the next year, Cookie had his own title, and began a run that lasted nine years and 55 issues.
Gordon continued to make comics for ACG (and ACG imprints like La Salle) before returning at Joseph Barbera's behest.
Hanna-Barbera
Bill Hanna and Joseph Barbera had been creating the classic Tom and Jerry cartoons at MGM since 1940, but by 1957 the studio’s animation division was shut down. In a bid to stay alive in the new TV era, Hanna and Barbera struck out on a mission to make a weekly animated television series for a fraction of their old Tom and Jerry budgets.
