The exteriors of prisons, armories, and churches show that they are institutions in which the body and soul are subdued. He whose thoughts reach beyond this philosophy of the menagerie sees in them the strongest expression of the view, that it is not possible to make life worth living the more with the help of reason, love, justice, solidarity. The family and school take care to prepare man for these institutions. They deliver him up to the state, so to speak, blindfolded and with fettered limbs. Force, force. It echoes through all history. The first law which subjected man to man was based upon force. The private right of the individual to land was built up by force; force took way the claims upon homesteads from the majority and made them unsettled and transitory. It was force that spoke to mankind thus: "Come to me, humble yourself before me, serve me, bring the treasures and riches of the earth under MY roof. You are destined by Providence to always be in want. You shall be allowed just enough to maintain strength with which to enrich me infinitely by your exertions and to load me down with superfluity and luxury."
What maintains the material and intellectual slavery of the masses and the insanity of the autocracy of the few? Force. Workingmen produce in the factories and workshops the most varied things for the use of man. What is it that drives them to yield up these products for speculation's sake to those who produce nothing, and to content themselves with only a fractional part of the values which they produce? It is force.
What is it that makes the brain-worker just as dependent in the intellectual realm as the artisan in the material world? Force. The artist and the writer being compelled to gain a livelihood dare not dream of giving the best of their individuality. No, they must scan the market in order to find out what is demanded just then. Not any different than the dealer in clothes who must study the style of the season before he places his merchandise before the public. Thus art and literature sink to the level of bad taste and speculation. The artistic individuality shrinks before the calculating reckoner. Not that which moves the artist or the writer most receives expression; the vacillating demands of mediocrity of every-day people must be satisfied. The artist becomes the helper of the dealer and the average men, who trot along in the tracks of dull habit.