Cong Weixi (; 7 April 1933 – 29 October 2019), who also used the pen names Bi Zheng () and Cong Ying (), was a Chinese novelist. Condemned as a "rightist" during the Anti-Rightist Campaign in 1957, he spent 20 years in the laogai ("reform through labor") camps. Following his release in 1978, he published China's first novel on laogai and founded the "High Wall Literature" genre that depicts the traumas suffered by political prisoners in the labor camps. Highly influential in the post-Cultural Revolution literary scene, his works have been translated into many languages.
Early life and career
Cong was born on 7 April 1933 in Daiguantun, Zunhua County (now part of Yutian County) in Hebei, Republic of China. His grandfather held a xiucai degree during the late Qing dynasty, and his father worked as an aeronautical engineer in Chongqing. In 1937, his father died in prison after being arrested by the Kuomintang government for attempting to defect to the Communist Party. His mother, an illiterate woman with bound feet, brought the four-year-old Cong to live with her parents. They moved to Beijing in 1946 where Cong attended school. After the establishment of the People's Republic of China, he enrolled at Beijing Normal School in 1950 and published his first essay, "Going to the Battle", about patriotic youths fighting in the Korean War.
After graduating from Beijing Normal School in 1953, Cong taught at an elementary school for half a year before joining the Beijing Daily as a reporter. In 1955, he published July Rain (), his first short-story collection. He published a second collection, The Morning Sun Rises (), and a novel, Spring Morning along South River (), in the next two years, earning himself recognition as an emerging writer.
Anti-Rightist Campaign and laogai
During the Hundred Flowers Campaign, when the Communist government invited opinions and criticisms from intellectuals, Cong published the essay "A Few Questions Concerning Socialist Realism" in the April 1957 issue of the journal Beijing Literature and Art, in which he questioned the need for the adjective "socialist" in socialist realism and argued that the term excessively emphasized politics and encouraged formulaic writing. His friend also wrote an essay criticizing socialist realism in the same journal.
The Communist Party soon turned against intellectuals who criticized its policies and started the Anti-Rightist Campaign in 1957. Beijing Literature and Art published an article calling Cong and Liu "poisonous weeds" who had been lured to "stick their heads out above ground". Cong was soon denounced as a "rightist" and a member of a "counterrevolutionary clique", together with Liu Shaotang, Wang Meng, and . The four writers were collectively known as the "Four Black Swans" () of Beijing.
Cong's wife Zhang Hu (), who was also a reporter at Beijing Daily, was condemned as a rightist at the same time for criticizing excessive formalism and bureaucracy at her employer. After being publicly humiliated, she attempted to kill herself by taking sleeping pills, but was saved (she later attempted suicide for a second time during the Cultural Revolution and was saved again). The couple were both arrested and sent to different laogai ("reform through labor") camps, leaving their infant son with Cong's mother. Cong and Zhang did not see each other for more than a year, until they were both sent to Qinghe Farm, a notorious labor camp outside of Tianjin. A kind prison guard arranged to have him stay overnight at her camp.
Cong endured 20 years in a variety of laogai camps, even after his "rightist" label was removed. He worked in coal mines, quarried rocks, dug graves and transported manure.
Post-laogai career and "High Wall Literature" After the death of Mao Zedong and the end of the Cultural Revolution in 1976, Cong was released and rehabilitated in 1978. He eagerly resumed writing, using his laogai experience as an inspiration. In 1979, he published the novella The Blood-Stained Magnolias under the High Wall (), about a labor camp inmate being killed by the camp guard. The first Chinese novel about laogai camps, it initiated the "High Wall" genre of literature (大墙文学; "high wall" being a euphemism for prison), which reflects on the traumas suffered by political prisoners in the camps during the Anti-Rightist Campaign and the Cultural Revolution. Writer Wang Meng, who served as China's Minister of Culture, called Cong the "Father of High Wall Literature".