Another objection, stated to this poem, has been the abrupt and unsatisfactory nature of the conclusion. The factions, and their leaders, are described; and, when our expectation is at the highest, the danger is at once dispelled by a speech from the throne. "Who," says Johnson, "can forbear to think of an enchanted castle, with a wide moat, and lofty battlements, which vanishes at once into air, when the destined knight blows his horn before it." Yet, with great deference to such authority, it may be considered as somewhat hard to expect the merit of a well-conducted story in a poem merely intended as a designation of various living characters. He, who collects a gallery of portraits, disclaims, by the very act of doing so, any intention of presenting a series of historical events. Each separate style of poetry has its merits and disadvantages, but we should not expect a historical work to contain the poignancy of a satire, or a satire to exhibit the majestic and interesting story of an epic poem. Besides, there had actually been an important crisis, and highly favourable to the court, produced by the king's behaviour at Oxford, and by the sudden dissolution of that parliament, which, according to Shaftesbury, was to have rendered the Duke of York as abandoned an exile as the first murderer Cain. This stroke of power was executed so unexpectedly, that the Commons had not the slightest suspicion of what was intended, till they were summoned by the Black Rod to attend the king. Oxford, so lately crowded with the armed factionaries and partizans of royalty and democracy, was at once deserted, and left to its usual stillness and seclusion. The blow was fatal to the country party, as it dispersed that body in which they had knit up their strength, and which alone could give their proceedings the sanction of law.

The success of "Absalom and Achitophel" was unexampled. Dr Johnson's father, a bookseller, told him, it was exceeded by nothing in his remembrance, excepting that of Sacheverel's Sermon. The allusions which it contained became universally known; and the allegorical names seemed to be inalienably entailed upon the persons to whom Dryden had assigned them. Not only were they in perpetual use amongst the court poets of the day,[212] but the parable was repeatedly inculcated and preached upon from the pulpit,[213] and echoed and re-echoed in all the addresses of the time.[214]

The Works of John Dryden, Vol. 9 (of 18) — Part 110