Mr. Swan's arrangements for conducting the various parts of his process are very extensive and complete; and his mode of "developing and transferring" seems to be the very acme of perfection. But, as Mr. Swan is about to publish a work containing a full description of the process, with a beautiful specimen print as frontispiece, I will not anticipate him, or mar his own comprehensive account of the details of a process which he has brought to such a state of beauty and perfection, by an amount of patient perseverance and thoughtful application rarely exhibited or possessed by one individual.
I also visited the photographic establishment of Messrs. Downey in Newcastle, and there saw some _cabinet pictures_ of the Princess of Wales, taken recently at Abergeldie Castle. Messrs. Downey have just returned from Balmoral with upwards of two hundred negatives, including whole-plate, half-plate, and _cabinet_ size, which will be published in one or all those sizes, as soon as the orders of Her Majesty have been executed. From the well-known reputation of the Messrs. Downey as photographers, it is, in all probability, a treat in store for the lovers of photography, to get a sight of their latest works at Balmoral and Abergeldie.
Mr. Parry, another excellent photographer in Newcastle, was also making arrangements to introduce the new cabinet size picture in a style that will insure its success.
Altogether, the movements of the best photographers in the North are highly commendable, and, with their notoriously practical minds, there is little doubt of their undertakings becoming a success. Let us hope that the same elements of energy and "push" will speedily impregnate the minds of all photographers, and create a combination that will develop a new form of popular beauty, and result in forming a salt that will savour their labours, produce deposits of gold, and create innumerable orders of merit.
We have recently had a few papers on the necessity of art culture and art knowledge in relation to photography, but they have chiefly been of a theoretical and speculative character, few, if any, assuming a practical form. "Apply the rod to teach the child" is an old saying, and our artist friends and teachers _have_ applied the rod and belaboured photography most unmercifully, but they have _not_ taught the child. They have contented themselves with abusing photographers for not doing what was right, instead of teaching them how to avoid what was wrong.