Then follows the afternoon of our descent. We plunge into ever-thickening air as we go down. It is penetrated with the dust and flurry of the day. As the hours advance it sheds an ever mellower tone upon the views. Fatigue seems to invade the earth itself as it does our own limbs. We gain the grassy places once more, as the sun begins to lose its towering eminence of place. The rope and all its strenuous suggestions has been discarded, and at length the most toilsome parts of the expedition are over. We can fling ourselves upon the grass by some babbling brook, with the clanging of cattle-bells not far away, and the haunts of men pleasantly adjacent. The peaks we have sought out are not yet very far away. We can still follow the traces of our own footsteps upon their flanks. Their spirit is in us. All that we have so recently seen and felt is still present in our minds, as we gaze with newly instructed eyes upon the places we have visited.
[Illustration: 29. A MOUNTAIN PATH, GRINDELWALD]
The last walk remains, down through the gathering trees, through new-mown hay-fields, past little farms clustering on the hillside--down and ever down into the embrace of the narrowing earth, which holds out arms of recognition to us, her children and the special votaries of her shrines. When at length the mellow evening light is warm upon the hillsides, and the rich shadows are creeping down upon it, we reach the village where we are to rest. There, as we sit before some hospitable inn, and gaze yet once again back to the heights whence we have come, the sunset fires are lit upon them when the shades of night already fill the valleys. For a moment the topmost summits facing west glow with the gold and fade to the rose that ushered in the day and now glorify its close. The colour is withdrawn. The warmth fades out of all the view. Pallor supervenes, and "layer on layer the night comes on."
Such are the normal effects and sequences of a fine Alpine summer day; but days of that sort are rare. Usually what we call "weather" intervenes to break the normal sequence with surprises that should not be unwelcome. I have thus far referred mainly to the drama of the sunshine; but more varied, more fascinating, more adventurous is the drama of the clouds, those mist mountains that come and go, forming ranges loftier than the hills, whiter than the snows, but endowed with the two-fold gifts of inaccessibility and evanescence. Them we can neither climb nor map. Clouds we have with us everywhere, but it is among mountains that we learn to know them, how they form and fade, mount aloft or drift asunder. The mountain clouds have a plainlier realised individuality than those that pass over cities and plains. Their positions and relative altitudes are more easy to fix, their changes more readily perceived.