[Footnote 17: A few months ago the Prime Minister, then the Marquis di Rudini, was present at the taking of the veil by a young relative in Naples.]

The ancient monasteries and convents were at least an education to the eye: who could daily see the Certosa of Pavia, or of the Val d'Ema, and not be purified and instructed in visual memory and artistic instinct? The new revivals of the old orders teach nothing except a base and strictly modern union of superstition and compromise. Indeed, the State forces the priest to be base; it makes it the condition of allowing his existence. If he do not succumb to the State in all things (even in those most opposed to his conscience), he is deprived of his _placet_; and Zanardelli has in these last few days desired to deprive him of it without such legal forms as have hitherto been observed. For one of the greatest of the misfortunes of Italy is that, not in the Radicals nor in the Conservatives, nor in any one of the groups into which political life is divided, is there the slightest trace of any respect for individual freedom; liberty of action and of opinion obtain no fair play whatever from any one of the parties of the State.

Critical Studies — Part 174

True, it is not in Italy alone that the sense of symmetry and harmony is leaving the terrestial race; the want of beauty, as the daily bread of life, grows less and less felt every year by the modern mind wherever that mind has been unhinged by the manias of modernity. Beauty, natural and artistic, has become entirely indifferent to the majority of even highly-educated modern men and women. They have no leisure to contemplate it, no temperament capable of feeling it; it is in no sense necessary to them; it makes no impression either on their retina or their memory. Their lives pass before a revolving panorama, so rapidly dissolving and changing that they have no distinct impression of any of the scenes or subjects. Every year modern habits become more unlovely, and modern sensibilities more blunted. The preservation of what is beautiful, _per se_, at the present time is almost always ridiculed, unless it can be shown to be joined to some profit or utility. The characteristic passion of the hour is greed; greed of possession, desire of acquisition, and passion for ostentation. Trade has become an octopus embracing the whole world; the thirst for gain engrosses all classes; beauty, unless it be a means of gain, is to this temper a useless, or worse than a useless, thing: it is regarded as a stumbling-block and encumbrance.

Critical Studies — Part 174