The fracture, although not one of very common occurrence, is of a kind well known to professional repairers. It has been caused by a twist, possibly while being handled by some clumsy or heavy-handed repairer of olden times, and hastily filled with polluted glue, pressed together and left to itself. It is not at right angles with the plane of the instrument, but at a very acute one, very little evidence of it, possibly none, being seen from the inside.

The first step taken by the repairer is the cleansing and removal of all foreign particles likely to interfere with the adhesion of the surfaces to be brought into contact. As there is present much grime, and this not free from a suspicion of the presence of grease, James has recourse to the bottle of benzine, into which he dips a small brush, working it backwards and forwards, wiping it on an absorbent rag and re-applying the liquid.

The Repairing & Restoration of Violins — Part 95

This does not take very long; the evaporation being rapid, the wood is soon ready for the next stage, which is that of removing the dark glue and other foul matters from the irregular surface.

The Repairing & Restoration of Violins — Part 95

This requires the application of warm water, by means of a stiffer implement, used in fact as a small scrubbing brush; the moisture between whiles is pressed in and out by the fingers with repeated wipings and re-wettings.

The Repairing & Restoration of Violins — Part 95

After a while, being satisfied that the surfaces of the fracture are clean to the desired degree, James allows the wood to partially dry. In the meanwhile, he cuts a couple of pieces of wood to fit the back and front of the table, so that with folded paper as a pad the parts may be pressed together. All being in readiness, fresh strong glue is inserted all along the opening, the repeated pressing being kept up until he is sure that the glue has penetrated every part. The superfluous glue oozing from the inside, after a slight squeeze along the course, is lightly wiped off, the moulds applied back and front, and the cramps fixed.

Other little odds and ends of repairing have occupied the attention of the assistant during the time of waiting for the drying of the before-mentioned upper table of the Stainer. This latter being of full model, although not resembling the swollen or bolster-like form of many imitations of the master, requires special attention with regard to fitting in of the fresh wood or core.