Évariste Gamelin climbed the old-fashioned staircase as far as the fourth and last storey, where he had his studio together with a bedroom for his mother. At this point ended the wooden stairs laid with tiles that took the place of the grand stairway of the more important floors. A ladder clamped to the wall led to a cock-loft, from which at that moment emerged a stout man with a handsome, florid, rosy-cheeked face, climbing painfully down with an enormous package clasped in his arms, yet humming gaily to himself: _J'ai perdu mon serviteur_.
Breaking off his song, he wished a polite good-day to Gamelin, who returned him a fraternal greeting and helped him down with his parcel, for which the old man thanked him.
"There," said he, shouldering his burden again, "you have a batch of dancing-dolls which I am going to deliver straight away to a toy-merchant in the Rue de la Loi. There is a whole tribe of them inside; I am their creator; they have received of me a perishable body, exempt from joys and sufferings. I have not given them the gift of thought, for I am a benevolent God."
It was the _citoyen_ Brotteaux, once farmer of taxes and _ci-devant_ noble; his father, having made a fortune in these transactions, had bought himself an office conferring a title on the possessor. In the good old times Maurice Brotteaux had called himself Monsieur des Ilettes and used to give elegant suppers which the fair Madame de Rochemaure, wife of a King's _procureur_, enlivened with her bright glances,--a finished gentlewoman whose loyal fidelity was never impugned so long as the Revolution left Maurice Brotteaux in possession of his offices and emoluments, his hôtel, his estates and his noble name. The Revolution swept them all away. He made his living by painting portraits under the archways of doors, making pancakes and fritters on the Quai de la Mégisserie, composing speeches for the representatives of the people and giving dancing lessons to the young _citoyennes_. At the present time, in his garret into which you climbed by a ladder and where a man could not stand upright, Maurice Brotteaux, the proud owner of a glue-pot, a ball of twine, a box of water-colours and sundry clippings of paper, manufactured dancing-dolls which he sold to wholesale toy-dealers, who resold them to the pedlars who hawked them up and down the Champs-Élysées at the end of a pole,--glittering magnets to draw the little ones' eyes. Amidst the calamities of the State and the disaster that overwhelmed himself, he preserved an unruffled spirit, reading for the refreshment of his mind in his Lucretius, which he carried with him wherever he went in the gaping pocket of his plum-coloured surtout.