The Congress for Cultural Freedom (CCF) was an anti-communist propaganda group founded on June 26, 1950 in West Berlin, and was supported by the Central Intelligence Agency and its allies. At its height, the CCF was active in thirty-five countries. In 1966 it was revealed that the CIA was instrumental in the establishment and funding of the group. The congress aimed to enlist intellectuals and opinion makers in a war of ideas against communism.
Historian Frances Stonor Saunders writes (1999): "Whether they liked it or not, whether they knew it or not, there were few writers, poets, artists, historians, scientists, or critics in postwar Europe whose names were not in some way linked to this covert enterprise." A different slant on the origins and work of the Congress is offered by Peter Coleman in his Liberal Conspiracy (1989), where he talks about a struggle for the mind "of Postwar Europe" and the world at large.
Origins, 1948–1950
The CCF was founded on 26 June 1950 in West Berlin, which had just endured months of Soviet blockade.
Formation of the CCF came in response to a series of events orchestrated by the Soviet Union: the World Congress of Intellectuals in Defense of Peace in Wroclaw (Poland) in August 1948; a similar event in April the following year in Paris, the World Congress of Peace Partisans; and their culmination in the creation of the World Peace Council, which in March 1950 issued the Stockholm Appeal. As part of this campaign there had also been an event in New York City in March 1949: the Cultural and Scientific Conference for World Peace at the Waldorf-Astoria Hotel was attended by many prominent U.S. liberals, leftists and pacifists who called for peace with the Soviet Union. Prominent participant on the communist side was Dmitri Shostakovich. The opposing anti-communist side included Benedetto Croce, T. S. Eliot, Karl Jaspers, André Malraux, Bertrand Russell and Igor Stravinsky.
The founding conference of the Congress for Cultural Freedom was attended by leading intellectuals from the U.S. and Western Europe. Among those who came to Berlin in June 1950 were writers, philosophers, critics and historians: Franz Borkenau, Karl Jaspers, John Dewey, Ignazio Silone, Jacques Maritain, James Burnham, Hugh Trevor-Roper, Arthur Schlesinger, Jr., Bertrand Russell, Ernst Reuter, Raymond Aron, A. J. Ayer, Benedetto Croce, Arthur Koestler, Richard Löwenthal, Melvin J. Lasky, Tennessee Williams, Irving Brown and Sidney Hook. There were conservatives among the participants, but non-Communist (or former Communist) left-wingers were more numerous. Irving Kristol, who would become known as the "godfather of neoconservatism," was also present. During the Berlin conference, Nicolas Nabokov proclaimed: "With this Congress we must build a war organization".
The Manifesto of the Congress was drafted by Arthur Koestler, with amendments added on a motion proposed by historian Hugh Trevor-Roper and philosopher A. J. Ayer.
Executive Committee and Secretariat
An Executive Committee was elected in 1950 at the founding conference in Berlin, with seven members and six alternate members: Irving Brown (Haakon Lie), Arthur Koestler (Raymond Aron), Eugen Kogon (Carlo Schmid), David Rousset (Georges Altman), Ignazio Silone (Nicola Chiaromonte), Stephen Spender (Tosco Fyvel) and Denis de Rougemont who became President of the committee.
The management of the CCF was entrusted to its secretariat, headed by Michael Josselson. By the time Josselson joined the Congress of Cultural Freedom in 1950 he was "undoubtedly a CIA officer". A polyglot able to converse fluently in four languages (English, Russian, German and French), Josselson was heavily involved in the CCF's growing range of activities – its periodicals, worldwide conferences and international seminars – until his resignation in 1967, following the exposure of funding by the CIA.
Activities, 1950–1966
At its height, the CCF had offices in 35 countries, employed dozens of personnel, and published over twenty prestigious magazines. It held art exhibitions, owned a news and features service, organized high-profile international conferences, and rewarded musicians and artists with prizes and public performances.
Between 1950 and 1966 the Congress sponsored numerous conferences. A selective list describes 16 conferences in the 1950s held principally in Western Europe but also in Rangoon, Mexico City, Tokyo, Ibadan (Nigeria) and South Vietnam: the Founding Conference in Berlin was followed in 1951 by the First Asian Conference on Cultural Freedom, held in Bombay. A further 21 conferences over an even wider geographical area are listed for the first half of the 1960s.