The Grim Reaper is a 1987 Australian television commercial aimed at raising public awareness on the dangers of AIDS. Created as part of a $3 million education campaign by the National Advisory Committee on AIDS (NACAIDS), the advertisement depicted the Grim Reaper ten-pin bowling in a bowling alley and knocking over men, women, and child "pins" which represented AIDS victims. The commercial was created by Siimon Reynolds and narrated by voice-over artist John Stanton, and was first screened on 5 April 1987. The ad was also supplemented by printed material which explained the disease and detailed preventative measures.
The commercial caused immediate controversy due to its confronting tone and imagery, and the Grim Reaper figure in the ad became unintentionally identified with gay men, provoking fear towards the LGBT community. It aired for only three weeks out of an intended six week run, cut short due to media criticism and public outcry. Nevertheless, the commercial was regarded as highly successful in raising awareness with the Australian public about the issue, with a 327% increase of calls to AIDS related hotlines during the first month of the campaign compared to the 7 months before.
In Australia, the Grim Reaper commercial has remained a memorable example of a confronting but effective government public service campaign decades since its original airing, and continues to inspire subsequent government public service advertising campaigns. It has been recognised as a landmark public health initiative.
Production
The ad was commissioned by health consultant Bill Bowtell, who was a senior advisor to Federal Minister for Health Neal Blewett. Bowtell led the Australian Federal government's response to the AIDS epidemic in the 1980s.
Background
Siimon Reynolds on the idea of the commercial: ...bowling was in my head. I was bowling every week. And I used to love the animation at Christmas with... for Scrooge, where the Grim Reaper came and visited Scrooge. And I thought, "Well, maybe the Grim Reaper could machine-gun them." Then I thought, no, that'll be a five-second ad and it'll be too short. What's another way he could kill them? He could bowl balls at them. And those two things came together.
Of course, back then, the data was unclear. In some countries—for instance, Italy—almost as many women who had AIDS as men. I think there was also a bit of a political fear that there'll be a backlash against gays if everybody thinks it's some kind of gay plague. But, you know, other countries had failed in their AIDS education because heterosexuals weren't listening. We really had to wake people up. There was a lot of information about how to stop AIDS out there, but no-one was reading it.
Filming
The commercial cost $300,000 ($750,242 in 2020) to film, and utilised a seven-foot (2.1 m) tall bowling ball on an oversized bowling alley set. The actors were told to fall to the side so the giant ball would not crush them. Reynolds asked John Stanton to sound like Richard Burton when it came to do his voice over.
Details about the ad were kept secret during production, and it was only shown to Minister for Health Neal Blewett for the first time a few days before its television debut, which resulted in a "furious argument" with Bowtell and Blewett's predictions that it would attract intense criticism. Despite its potential to create controversy, Prime Minister Bob Hawke decided not to block the rollout of the campaign.
Controversy
At the time of its release, the commercial caused immediate controversy due to its confronting tone and frightening imagery, which included scenes where children and a woman holding a baby were knocked down by the Grim Reaper, and the claim that AIDS could "kill more Australians than World War II" if left unchecked. Some detractors claimed the ad was scaremongering and created "unnecessary" fear amongst the broader community, and mounting media criticism and public hysteria cut short the campaign's intended six week run to just three weeks.
The ad also received criticism for provoking fear and hostility towards members of Australia's LGBT community and those positive with HIV. The commercial came to unintentionally identify the Grim Reaper figure in the ad with gay men, who at the time were scapegoated as spreaders of the disease and further marginalised because of this association. Australian AIDS pioneer Ron Penny regretted the fact this occurred: The downside was that the Grim Reaper became identified with gay men rather than as the Reaper. That was what we had unintentionally produced—[the belief] by some that the Reaper was people with HIV infection, rather than the Reaper harvesting the dead.