Three broad streets converged at the Orontes Gate; and these were lined with small shops containing merchandise, fruits, skins filled with wines and other strong drinks, jewelry, garments, articles for personal adornment, unguents for anointing, besides amulets, charms, and images in endless variety and abundance.
The dwelling of Benoni, though not far away, was shut off from the noise and confusion by a high street-wall in the rear, while in front the sloping grounds extended directly to the wide, silvery Cydnus. There were three broad terraces, with here and there clusters of acacias, almonds, spice-trees, roses, oleander, and jasmine between the winding paths. At intervals there were rustic seats sheltered by bowers of flowering plants and shrubs.
The house was two stories in height, substantial but not pretentious, and built around a quadrangular court. While not ornate, it was attractive and well proportioned. The flat roof was surrounded by a low parapet, and was furnished with a few wicker seats covered with simple canopies. During the mild seasons the family spent much time upon the roof, especially in the early morning and evening hours.
The simple carvings and embellishments of the house were Hebraic in design, and many of the utensils were deeply suggestive of ancient symbolism and ritual. Extending around the interior court was a cornice carved in low relief, with designs depicting scenes from the lives of Abraham, Isaac, and Jacob, the receiving of the Law by Moses, the tabernacle, the ark of the covenant, and representations of the Temple at Jerusalem, its courts, and the seven golden candlesticks. In the atrium, or principal apartment, stood an ancient cabinet, in which was preserved with great care, in many wrappings, a scroll of parchment, upon which was inscribed a record of the direct genealogical line of descent from Abraham, through the tribe of Benjamin, down to Benoni. The very atmosphere of this house of "a Hebrew of the Hebrews" was almost redolent with the odor of incense, and its flavor was that of instituted feasts and festivals.
Tarsus, though advanced in sophistical logic and philosophy, was in its leading characteristics morally depraved. The seat of celebrated schools of letters, it was, at the same time, the home of Eastern cults, whose mad sensuality and weird superstition made up a pagan corruption rarely equalled. A part of its idolatry consisted of the very types and ideals of luxurious effeminacy, gluttony, and sensuality. The iridescent film of intellectual culture, which was drawn over the mass of moral degradation, gave it a charm and external refinement which was more seductive than naked barbarism. One of the chief festivals included the worship, with elaborate rites, of statues of Sardanapalus and Semiramis, upon the base or pedestal of which was engraved,--