Steffens did not go so far as that in the early days. He just laid bare the phenomena, and then stopped. You searched in vain through the articles which he published in “McClure’s” for any answer to the question: What is to be done about it? So I wrote what I called “An Open Letter to Lincoln Steffens.” I cannot find it now, but I recall the essence of it well enough.

“Mr. Steffens, you go from city to city and from state to state, and you show us these great corporations buying public privileges and capitalizing them for tens and hundreds of millions of dollars, and unloading the securities upon the general investing public. You show this enormous mass of capital piling up, increasing at compound interest, demanding its toll of dividends, which we, the people who do the hard work of the world, who produce the real wealth of the world, must continue forever to pay. I ask you to tell us, what are we to do about this? Shall we go on forever paying tribute upon this mass of bribery and fraud? _Can_ we go on paying it forever, even if we want to? And if not, what then? What will happen when we refuse to pay?”

The Brass Check — Part 10

I sent this letter to Steffens, to see what he thought about it. He replied that it was the best criticism of his work that he had seen, and he tried to persuade “McClure’s” to publish it, but in vain. I forget whether it was he or I who sent it to “Collier’s Weekly”; but anyway, the article was read and accepted, and Robert J. Collier, the publisher, wrote and asked me to come to see him.

The Brass Check — Part 10

Picture me at this moment, a young writer of twenty-five who has been pleading with the American public to remember its high traditions, and has seen his plea fall flat, because the newspapers and magazines overlooked him; also—a painful detail, but important—who has been supporting a wife and baby on thirty dollars a month, and has been paid only five hundred dollars for two years work on a novel. A friend who knows the literary world tells me that this is the chance of my life. “Collier’s” is run “on a personal basis,” it appears; a sort of family affair. “If Robbie likes you, your fortune is made,” says my friend. “This is your ‘open sesame’ to the public mind.”

The Brass Check — Part 10

Well, I go to see Robbie, and it appears that Robbie likes me. I am young and ascetic-looking; the tension under which I have worked has given me dyspepsia, so my cheeks are hollow and my skin is white and my eyes have a hectic shine. Robbie, no doubt, is moved to sympathy by these phenomena; he himself is a picture of health, florid and jolly, a polo-player, what is called a “good fellow.” He asks me, will I come to dinner at his home and meet some of his friends and his editorial staff? I answer that of course I will.