[9] This carving was figured in illustration of an interesting paper by Professor Owen, C.B., F.R.S., &c., "On some new and rare Cephalopoda," in the Transactions of the Zoological Society, April 20, 1880.
The Japanese are well acquainted with the octopus; for it is commonly depicted on their ornaments, and forms no unimportant item in their fisheries.
I have recently had an opportunity of inspecting a most curious Japanese book, in the possession of my friend Mr. W. B. Tegetmeier, which is chiefly devoted to the representations of the fisheries and fish-curing processes of the country. It is in three volumes, and is entitled, 'Land and Sea Products,' by Ki Kone. It is evidently ancient, for it is slightly worm-eaten, but the plates, each 12 inches by 8 inches, are full of vigour. Two of these illustrate in a very interesting manner the subject before us, and by the kindness of Mr. Tegetmeier I am able to give facsimiles of them, which appeared with an article by him on this book, in the _Field_ of March 14th, 1874. Fig. 5 represents a fisherman in a boat out at sea: a gigantic octopus has thrown one of its arms over the side of the boat; the man, who is alone, has started forward from the stern of the boat, and has succeeded, by means of a large knife attached to a long handle, in lopping off the dangerous limb of his enemy. As Mr. Tegetmeier says, "From the extreme matter of fact manner in which all these engravings are made, and the total absence of exaggeration in any other representation, I cannot but regard the relative sizes of the man, the boat, and the octopus, as correctly given, in which case we have evidence of the existence of gigantic cephalopods in Japanese waters." The only doubt I have is whether the fisherman correctly described his assailant as an octopus, and whether it was not a calamary. Fig. 6 is a vivid picture of a fishmonger's shop in a market, under the awning of which may be seen two arms of a gigantic cuttle hung up for sale as food. These are evidently of most unusual size, judging from the action of the lookers on; the one to the left, with a tall stand or case on his back, like a Parisian cocoa-vendor, is holding out his hand in mute astonishment; whilst the attention of the smaller personage in the right-hand corner is directed to the suspended arms of the cuttle by the man nearest to him, who is pointing to them with upraised hand. In another plate in this most interesting work a Japanese mode of fishing for cuttles is delineated. A man in a boat is tossing crabs, one at a time, into the sea, and when a cuttle rises at the bait he spears it with a trident and tosses it into the boat.