Two specimens from Speckle's work are well worth studying as connecting links between the 16th and 17th centuries.
Fig. 22 is early 16th-century work much improved. There are no outworks, except the covered way, now fully developed, with a battery in the re-entering place of arms. The bastions are large, but the faces directed on the curtain get little protection from the flanks. To make up for this they are flanked by the large cavaliers in the middle of the curtain. The careful arrangement of the flank should be noted; part of it is retired, with two tiers of fire, some of which is arranged to bear on the face of the bastion. The great saliency of the bastion is a weak point, but the whole arrangement is simple and strong.
In the second example, known as Speckle's "reinforced trace" (fig. 23), we find him anticipating the work of the next century. The ravelin is here introduced, and made so large that its faces are in prolongation of those of the bastions. Speckle's other favourite ideas are here: the cavaliers and double parapets and his own particular invention of the low batteries behind the re-entering place of arms and the gorge of the ravelin. These low batteries did not find favour with other writers, being liable to be too easily destroyed by the besiegers' batteries crowning the salients of the covered way.
Speckle's book is of great importance as embodying the best work of the period. His own ideas are large and simple, but rather in advance of the powers of the artillery of his day.
At the beginning of the 17th century we find the Italian engineers following Paciotto in developing the complete bastioned trace; but they got on to a bad line of thought in trying to reduce everything to symmetry and system. The era of geometrical fortification (or, as Sir George Clarke has called it, "drawing-board" fortification) had already begun with Marchi, and his followers busied themselves entirely in finding geometrical solutions for the application of symmetrical bastioned fronts to such imaginary forms of perimeter as the oval, club, heart, figure of eight, &c. Marchi, however, was one of the first to think of prolonging the resistance of a place by means of outworks such as the ravelin. De Villenoisy says that Busca was the first to discuss the proportions and functions of all the component parts of a front; and Floriani, about 1630, was the last of the important Italians. The characteristics of a good deal of Spanish fortification carried out at this time were, according to the same authority, that the works were well adapted to sites, and the masonry excellent but too much exposed, while the bastions were too small. The Dutch and German schools will be referred to later.