*Parry. Evolution of the Art of Music. New York, Appleton, 1896.
Perkins and Dwight. History of the Handel and Haydn Society. Boston, Mudge, 1883-1893.
Pothier. Les Melodies gregoriennes. German translation by Kienle.
*Pratt. Musical Ministries in the Church. New York, Revell, 1901. Contains valuable bibliography.
*Proctor. History of the Book of Common Prayer. London, Macmillan, 1892.
Riemann. Catechism of Musical History, 2 vols. London, Angener; New York, Schirmer.
Ritter, A. W. Zur Geschichte des Orgelspiels. Leipzig, Hesse, 1884.
Ritter, F. L. Music in America. New York, Scribner, 1890.
Ritter, F. L. Music in England. New York, Scribner, 1890.
Rowbotham. History of Music, 3 vols. London, Trübner, 1885-1887.
Schelle. Die Sixtinische Kapelle. Wien, Gotthard, 1872.
Schlecht. Geschichte der Kirchenmusik. Regensburg, Coppenrath, 1879.
Schletterer. Geschichte der kirchlichen Dichtung und geistlichen Musik. Nördlingen, Beck, 1866.
Schletterer. Studien zur Geschichte der französischen Musik. Berlin, Damköhler, 1884-1885.
*Schubiger. Die Sängerschule St. Gallens. Einsiedeln, Benziger, 1858.
Spencer. Concise Explanation of the Church Modes. London, Novello.
*Spitta. Johann Sebastian Bach, 3 vols., tr. by Clara Bell and J. A. Fuller Maitland. London, Novello, 1884-1888.
Spitta. Musikgeschichtliche Aufsätze. Berlin, Paetel, 1894.
*Stainer. The Music of the Bible. London, Cassell, 1882.
Stainer and Barrett. Dictionary of Musical Terms. Boston, Ditson.
Thibaut. Purity in Music, tr. by Broadhouse. London, Reeves.
*Wagner, P. Einführung in die gregorianischen Melodien. Freiburg (Schweiz), Veith, 1895.
Winterfeld. Das evangelische Kirchengesang, 3 vols. Leipzig, Breitkopf & Haertel, 1845.
Winterfeld. Johannes Gabrieli und sein Zeitalter, 2 vols. Berlin, Schlesinger, 1834.
*Wiseman. Lectures on the Offices and Ceremonies of Holy Week. Baltimore, Kelly, 1850.
Act of Supremacy, 325, 328, 329. Agathon, pope, 110. Agnus Dei, 90. Ahle, 266. Ainsworth, psalm-book of, 376. Altenburg, 266. Ambrose, St., 58; introduces psalm singing into Milan, 66. Anerios, the, 133, 168. Anthem, Anglican, 346; its different forms, 348; periods and styles, 353. Aria, Italian, origin of, 190; its supremacy in the seventeenth and eighteenth centuries, 191; its introduction into church music in Italy, 193, 269; influence upon German church music, 267, 269, 318; adoption into the cantata, 273; into the Passion music, 276, 280. Art, Catholic conception of religious, 70, 174; Calvinist and Puritan hostility to art in connection with worship, 363, 369, 372. Asor, 23. Assyrians, religious music among the, 12. Attwood, 354. Augustine, missionary to England, 117. Augustine, St., quoted, 51, 67; traditional author, with St. Ambrose, of the Te Deum, 58; effect of music upon, 372.