The Pawnees cultivated their fields with hoes made from the shoulder blade of the buffalo. Taking the ligament from the back of a buffalo's neck, they lashed a stick firmly to the articulation of the shoulder blade, nearly at right angles to the plane of the bone and to its length. Then, dipping the joint into hot water, the ligament would shrink, and bind the bone and the handle together as firmly as iron.
Years ago, on the sites of abandoned Pawnee villages, on the Loup Fork and on the Platte, fragments of pottery used to be found among the débris of the fallen lodges. The manufacture of this pottery was no doubt abandoned long ago, and has probably not been practiced to any considerable extent since they met the whites. A man about fifty years of age stated to me that he had never seen these pots in use, but that his grandmother had told him that in her days they made and used them. He said that they were accustomed to smooth off the end of a tree for a mould. A hot fire was then built, in which stones were roasted, which were afterward pounded into fine powder or sand. This pounded stone they mixed with fine clay, and when the material was of the proper consistency, they smeared it over the rounded mould, which was perhaps first well greased with buffalo tallow. After the clay had been made of even thickness throughout, and smooth on the outside, they took a small, sharp stone, and made marks on the outside to ornament it. When the material was sufficiently dry, they lifted it from the mould and burned it in the fire, and while it was baking, "put corn in the pot and stirred it about, and this made it hard as iron." This may mean that it gave the pot a glaze on the inside. In these pots they boiled food of all kinds. Mr. Dunbar informs me that these pots were also made in later times within a frame-work of willow twigs. The clay, made very stiff, was smeared on this frame, the inside being repeatedly smoothed with the moistened hand, and but little attention being given to the appearance of the outside. After they had been sun-dried, such pots were baked without removing the frame, which burned away in the fire, leaving the marks of the twigs visible on the outside of the pot.