"Never was gold or silver graced thus Before. To bring this body and this blood to us Is more Than to crown kings, Or be made rings For star-like diamonds to glitter in.
When the great King offers to come to me As food, Shall I suppose his carriages can be Too good? No! stars to gold Turned never could Be rich enough to be employed so.
If I might wish, then, I would have this bread, This wine, Vesselled in what the sun might blush to shed His shine When he should see-- But till that be, I'll rest contented with it as it is."
In my saunterings I frequently lingered before the tower of St. Jacques de la Boucherie, the highest in Paris, and the most perfect specimen of Gothic architecture. The remainder of the church was demolished at the Revolution. The tower was saved by the artifice of an architect, who besought the crowd to imitate the enlightened English revolutionists, who destroyed their churches, but preserved the towers to be converted into shot-houses! In this church crowds used to assemble to hear Bourdaloue thunder, as Madame de Sévigné expresses it. I fancy I can hear that uncompromising preacher ringing out like a trump in the presence of the Great Monarch, "Thou art the man!" This exclamation should have appealed to the heart of the people, and saved the church he loved from profanation.
This church was built by the alms of pious people. Nicholas Flamel built the portal in 1388, which he covered with devout images and devices, which were regarded, even by the antiquaries of the last century, as symbols of alchemy. This Flamel was a benefactor to many churches and hospitals of Paris, which he took pleasure in adorning with carvings in which he made all things tributary, as it were, to the worship of God. At first a simple scrivener, he became painter, architect, chemist, philosopher, and poet. He certainly had the fancy of a poet, and wrote in durable materials. He left by his will nineteen chalices of silver gilt to as many churches.
These churches and religious houses are all connected with the history of the city. Paris owed its extension on the north side of the Seine to the school in the Abbey of St. Germain de l'Auxerrois, which was famous at an early age. There were four great abbeys around Paris in the time of the third dynasty--St. Lawrence, St. Genevieve, St. Germain de l'Auxerrois, and St. Germain des Près. These were surrounded by their dependencies, forming villages which gradually extended till they united to enclose the city, then chiefly confined to the island. The poor loved to live near these abbeys. St. Germain des Près, besides providing for the poor in general, used privately to support several destitute families who were ashamed of their poverty. The old abbots of this monastery were both lords spiritual and temporal in the suburbs on that side of the city. This abbey was a monument of repentance. Digby says when it was rebuilt in the year 1000 the great tower and the portals were left as before. The statues of eight kings stood at the entrance, four on the right hand and four on the left. One of them held a scroll on which was written the tragical name of Clodomir. And another, with no beatific circle around his head, held an open tablet on which were the first and last letters of the name Clotaire. These were the statues of the murderer and his victim.