"At the office there is much curiosity, but it is thought probable that upon the following night Paul will resume his fearful infatuation. He again fails to appear. An employe is sent to Northfield.

"I am absorbed in this unexpected change from Lanier habits. It is reported that Pierre knows not of his son's whereabouts. The older Lanier had gone out disguised in search of Paul. He had spent all of the previous night along the river-banks. Another day and night pass. Pierre has made inquiries at police headquarters for any news of unusual interest.

Oswald Langdon — Part 136

"I now recall seeing neither of those interesting strangers within the last three days. I wonder if they really are gone. Perhaps I have been so much absorbed in disappearance of Paul Lanier as not to observe them.

Oswald Langdon — Part 136

"Upon reflection this is impossible. The sight of that sorrowful face would have riveted my attention. I would have noted the suggestive, dissembling, observing unconcern of her companion.

Oswald Langdon — Part 136

"There seems connection between the disappearance of these and that of Paul Lanier. The thought is startling. I now see some sure relation between the conduct of these strangers and the Lanier case. Such erratic conviction is most illogical, but positive. It is one of those soul-sights.

"I am sitting in my room at the hotel. It is the fourth night after Paul's last crazed performance upon the Thames. I see no natural or logical coherence between Paul's disappearance and that of these interesting strangers, but cannot free myself from this queer conviction. I am feeling an uneasy sense of the mysterious. What is transpiring at Northfield?"

There is a timid tap! Going to the door, he is surprised to see a veiled female figure. The woman steps into the room.

Making a hurried, nervous apology for her strange conduct, she urges Charles to go home without delay. "There may be danger to those you love."

Much mystified and alarmed by such unlooked-for warning, he begs for an explicit statement.

"Is it not enough that I come to warn you? Must I explain private matters? Would I come thus without good reason? Why not act promptly and ask no questions?"

These hurried interrogatories are both command and appeal. Charles promptly apologizes, giving assurances that he will at once heed her warning. In persuasive tones he asks: