Back of _La Haine_ of Sardou was the detached thought or query: "Under what circumstances will the profound charity of woman show itself in the most striking manner? In the preface to _La Haine_, Sardou has told how his plays revealed themselves to him. 'The problem is invariable. It appears as a kind of equation from which the unknown quantity must be found. The problem gives me no peace till I have found the answer.'"[2] Maeterlinck wrote several of his earlier plays, _The Intruder_, _Princess Maleine_, _The Blind_, to demonstrate the truth of two artistic theories of his: that what would seem to most theatre-goers of the time inaction might be made highly dramatic, and that partial or complete repetition of a phrase may have great emotional effect. _Magda_ (_Heimat_) of Sudermann was written to illustrate the possible inherent tragedy of Magda's words: "Show them [people thoroughly sincere and honest but limited in experience and outlook] that beyond their narrow virtues there may be something true and good." In _Le Fils Naturel_ of Dumas the younger, the illegitimate son, till late in the play, believes his father to be his uncle. "The logical development would seem to be obvious: father and son falling into each other's arms. Dumas, on the contrary, arranged that the son should not take the family name, and that the play should end with the following dialogue:

_The Father._ You will surely permit me, when we are alone together, to call you my son.

Dramatic Technique — Part 34

It seems that Montigny, Director of the Gymnase Theatre, was shocked by the frigidity of this dénouement. He said to Dumas, 'Make them embrace each other; the play, in that case, will have at least thirty additional performances.' Dumas answered, 'I can't suppress the last word. It is for that I wrote the piece.'"[3] One suspects that Lord Dunsany feels the same about the last words of his _King Argimenes_. The whole play apparently illustrates the almost irresistible effect of habit and environment. At the opening of the play, King Argimenes is the hungry, overworked slave of the captors who deprived him of his kingship. He talks eagerly with his fellow slaves of the King's sick dog, who will make a rich feast for them if he dies. At the end, Argimenes, completely successful in his revolt, is lord of all he surveys. Surprised by the news of the incoming messenger, he suddenly reverts to a powerful desire of his slavehood, speaking instinctively as did _Le fils_ of Dumas.

Dramatic Technique — Part 34