As I have brought these families into contrast, I must notice their behavior in church. That of the nobleman’s family was quiet, serious, and attentive. Not that they appeared to have any fervor of devotion, but rather a respect for sacred things, and sacred places, inseparable from good-breeding. The others, on the contrary, were in a perpetual flutter and whisper; they betrayed a continual consciousness of finery, and the sorry ambition of being the wonders of a rural congregation.

The old gentleman was the only one really attentive to the service. He took the whole burden of family devotion upon himself; standing bolt upright, and uttering the responses with a loud voice that might be heard all over the church. It was evident that he was one of these thorough Church-and-king men, who connect the idea of devotion and loyalty; who consider the Deity, somehow or other, of the government party, and religion “a very excellent sort of thing, that ought to be countenanced and kept up.”

The Sketch Book of Geoffrey Crayon, Gent — Part 75

When he joined so loudly in the service, it seemed more by way of example to the lower orders, to show them that, though so great and wealthy, he was not above being religious; as I have seen a turtle-fed alderman swallow publicly a basin of charity soup, smacking his lips at every mouthful and pronouncing it “excellent food for the poor.”

The Sketch Book of Geoffrey Crayon, Gent — Part 75

When the service was at an end, I was curious to witness the several exits of my groups. The young noblemen and their sisters, as the day was fine, preferred strolling home across the fields, chatting with the country people as they went. The others departed as they came, in grand parade. Again were the equipages wheeled up to the gate. There was again the smacking of whips, the clattering of hoofs, and the glittering of harness. The horses started off almost at a bound; the villagers again hurried to right and left; the wheels threw up a cloud of dust, and the aspirin family was rapt out of sight in a whirlwind.

The Sketch Book of Geoffrey Crayon, Gent — Part 75

Pittie olde age, within whose silver haires Honour and reverence evermore have rain’d. MARLOWE’S TAMBURLAINE.

THOSE who are in the habit of remarking such matters must have noticed the passive quiet of an English landscape on Sunday. The clacking of the mill, the regularly recurring stroke of the flail, the din of the blacksmith’s hammer, the whistling of the ploughman, the rattling of the cart, and all other sounds of rural labor are suspended. The very farm-dogs bark less frequently, being less disturbed by passing travellers. At such times I have almost fancied the wind sunk into quiet, and that the sunny landscape, with its fresh green tints melting into blue haze, enjoyed the hallowed calm.