"How every thing brings in every thing else!" said Kate. "I believe you will never begin."
"I soon learned that," answered Leonora, "and that brings me to the beginning of my story, if you will have it that I am to tell one, though I would rather tell it in my own way, by drawing the illustrations to Linda's, which, as I said, would almost answer for mine; but why should it not, as we were each to tell something in our experience resembling Clara's?"
"Poor Clara! I had almost forgotten her," said Fanny.
"None are poor but those who think themselves rich. How proud I felt of my first poor little drawings! How well I remember them! The house, and the fence before it, and the lattice in the garret window, and then the great elm and the brook, and by degrees the distant hill behind, for I kept adding to my pictures as I advanced, having to go back farther and farther for a point of view, till at last the hill on the outskirts of the village, overlooking the whole, was my favorite spot for sketching, if I may dignify my stiff little achievements by such a term. Still it was the house that was the centre of the picture; but, as Kate says, one thing leads to every thing, and I found there was no end to the things I must introduce; and yet they did not seem to belong to the house, but to be fastened to it in some way. I could not get them off, and remember, when some one was saying that a painter of his acquaintance could not get his pictures off his hands, feeling a certain pride in knowing that I was contending with one of the regular difficulties of the art. But at last I succeeded, in some degree, in getting my picture right, and did not altogether disbelieve what every one said at home, that it was beautiful. As I was led, however, farther and farther back, by the necessity for a wider view, the house began to have rather a subordinate look; but still it was my home, and nothing seemed a picture without it. As yet I had had no instruction, as you would easily believe if you should see my productions of that period, until one day, as I was bending over my drawing board, (I was very particular about my drawing paper then, and always had the best,) and had just got in the house, a shade fell across my picture, and looking up, I saw a young man with camp stool and portfolio slung across his shoulder, looking down at my work. I drew a little back, that he might see it better, rather pleased that he should see that I also was in that line. He glanced at the landscape, then looked again at my sketch with a smile. He had not said a word, and yet the opinion of all my family, aunts, cousins, and all, admiring my picture on a thanksgiving day after dinner, would not have weighed a straw with me against that smile. Yet he asked me to go on with it, which I did lest he should go away, looking up now and then, and seeing him regarding my work with the half-curious interest with which one would watch an ant-hill, till at last I threw down my pencil, and asked him if he would not oblige me with a sketch of his own.