_Drama: Zerreisset, zerspringet, Zertrümmert die Gruft._ For the name-day of Dr A. F. Muller. Leipsic, Aug. 3, 1725.
_Drama: Schleicht, spielende Wellen._ For the birthday of Augustus III.
_Drama: Vereinigte Zwietracht der wechselnden Saiten._ For a University celebration, Leipsic, 1726.
_Was mir behagt, ist nur die muntre Jagd._
_Non sa che sia dolore._ For soprano solo.
_O holder Tag, erwünschte Zeit._ Wedding Cantata for soprano solo.
_Schweigt stille, plaudert nicht._ In praise of coffee.
_Mer hahn en neue Oberkeet._ Complimentary Cantata to Carl Heinrich von Dieskau.
_Mit Gnaden bekröne der Himmel die Zeiten._
_Durchlauchster Leopold._ Serenade for two solo voices and orchestra.
_Schwingt freudig euch empor._ For the birthday of a teacher.
_Die Freude reget sich._ For the birthday of Professor Rivinus.
_Drama: Lasst uns sorgen, lasst uns wachen._ Complimentary Cantata to a Saxon Princess. The opening chorus from Christmas oratorio.
_Tönet ihr Pauken! erschallet Trompeten!_ For the birthday of the Queen of Saxony, December 1733. See p. 145.
_Drama: Preise dein Glücke._ For the anniversary of the election of Augustus III. as King of Poland, 1734.
_Drama: Angenehmes Wiederau._ Persons represented--Fate, Happiness, Time, and the river Elster. The opening chorus from the cantata “Freue dich erlöste Schaar.”
_Drama: Auf schmetternde Töne der muntern Trompeten._ For the name-day of King Augustus III.
Three Passions. It is known that Bach wrote five Passions, from information given by his son C. P. Emanuel, and his pupil Agricola in Mizler’s Necrology.
A great funeral ode on the death of Prince Leopold of Cöthen.
_The numbers refer to the volumes in Peters’ edition in which each work will be found._
_Six sonatas for two manuals and pedal (240)._ These sonatas and the passacaglia were written for his young son, W. Friedemann, to practise on the pedal clavichord. Many of the trills, which are necessary on this instrument, are intended to be omitted when the pieces are played on the organ. According to tradition the date is 1723. The first movement of the sonata in D minor appears in 1722, as the prelude in that key in Part I. of the Forty-eight.
_Trio for two manuals (243) and pedal in D minor._ This trio is overladen with grace notes in the fashion of the day. The performer is recommended by Griepenkerl to exercise his taste as to which he retains or omits.