[99] His theory, as stated in a book which he published, was this: that as all men are born in moral sin, so they have about them a physical depravity in the form of an acrid humour, which, flying about the system, at length finds vent in diseases which afflict or terminate existence. He professed by the means afterwards explained to bring this acrid humour to the surface, and having thus expelled the cause of disease, to put an end to every bodily ailment.

[100] In allusion to a complex piece of machinery he said (in his book) he had invented, which when complete would cost him two thousand guineas. This machine, said Long, _alias_ O'Driscoll, "will search all the body, and cut away all the diseased parts, leaving the patient perfectly sound and well."

English Caricaturists and Graphic Humourists of the Nineteenth Century. — Part 178

[101] We found a curtailed copy of these amusing verses in one of the _jeux d'esprit_ of the time, called "Valpurgis; or, the Devil's Festival" (William Kidd, 6, Old Bond Street, 1831), illustrated by Seymour. With the exception of one immaterial verse, we now give the complete poem; in the ring of the verses the reader will have no difficulty in recognising the hand of the Rev. Richard Harris Barham, subsequently author of the "Ingoldsby Legends."

English Caricaturists and Graphic Humourists of the Nineteenth Century. — Part 178

[102] Anstey's "Pleader's Guide," Bk. 2nd (1810).

English Caricaturists and Graphic Humourists of the Nineteenth Century. — Part 178

[103] Colonel Brereton. His conduct afterwards formed the subject of a court-martial, but the unhappy man forestalled the "finding" by committing suicide.

[104] Mr. à Beckett's strong point was puns; in later days he found a vehicle for these in the well-known "Comic Histories" of England and Rome, illustrated by John Leech. It was his peculiar good fortune always to be associated with artists of the highest ability.

[106] In one account of Seymour's death the name of the engraver is given as _Starling_. This is a mistake. The engraving (probably one of the best the unfortunate artist ever executed) represents a sailor captain of Charles the First's time, showing a casket of pearls to a lady of remarkable beauty.

The years 1830-32 were full of political trouble; men's minds were unsettled; progress was the order of the day, and a reform in the election of the members who represented or who were supposed to represent the political opinions of the English constituencies was not only loudly called for, but had (as we have seen) for a very long time past been imperatively demanded. The question was shelved from time to time, but sooner or later it must be settled, and as Liberals and Conservatives alike will be amused and astounded at the state of English parliamentary representation half a century ago, we propose just to glance at matters as they existed in 1830.