In a far corner of the gallery the musicians were arriving. They would not begin to play for some time, however, and meanwhile the high walls echoed to every sound, and the long strips of bunting hanging from the ceiling waved slowly with the wind from the open windows.
I could see among the crowd of contestants who gathered around the white lines at the start several boys in whom I was interested; but I had nothing to say to them, and went over to the opposite corner, where the judges clustered around the finish posts. The red worsted was waiting for its first break, and beyond, hung against the walls, were the mattresses to catch the sprinter unable to check his speed. On one side were the hurdles in a long row ready to be pushed into place. In a third corner was the seven-foot circle with its raised cleat for the "shot put," and the last triangle was occupied by the standards and cross bar for the "high jump." The movable platforms for the raised corners were in two sections, and pulled apart so as not to interfere with the "dash."
I had only time for a word or two, a nod here and a handshake there, when, at a sign from the starter, the judges took their places, and the timekeepers stood with watch in hand ready to record the flying fifth seconds. I could look along the smooth floor and see the men take their places. There was Downer, a little Freshman, white with the excitement of his first public performance. He was a nervous chap, and one of my most promising men. Up goes the starter's hand, "Marks," "Set," the report of the pistol, and out of the circling crowd break the five struggling forms. There is the beat of eager feet, one, two, three, four, and between the posts they dash, little Downer coming away in the last few strides. "Thud" he goes against the mattress; "thud," "thud," "thud," "thud," go the other four, and the first heat is over. As they come back, the judges check off the "37" from Downer's back, his nervousness all gone, and in its place a confidence for which there is as little excuse.
There were a score of heats varying little from this, as many more in the "forty-yard handicap," and when they were finished nearly every seat in the building was taken, and the platform had blossomed out like a bank of flowers with the bright colors which the ladies wore. Now the band starts up with a swinging "March," and everything takes on a new life.