KIA-TSING (1521-66).--The name of this emperor is often found on blue and white porcelain, and it is a favourite one with the Japanese imitators. Some
[Illustration: _PLATE VIII._ CHINESE, BLUE AND WHITE WARE]
specimens in our collections, of a fine sapphire blue (the colour is indeed often inclined to run), may perhaps be referred to this reign. The demands for the court were very extensive, and if we are to trust the list of articles quoted by Dr. Bushell from the Fou-liang annals, the porcelain made for the palace during this period was, with the exception of a little of that with a brown ground, confined to blue and white ware.
LUNG-KING (1566-72).--The bad reputation of this emperor is reflected in the porcelain of the time--indeed the erotic character of the decoration is the one point noted in the annals. The mark of this reign is rarely found. There is, however, in the British Museum a large square support or plinth, decorated with a blue of magnificent sapphire hue, which bears the Lung-king nien-hao.
WAN-LI (1572-1619).--Of the porcelain surviving from Ming times, a very large proportion probably belongs to this reign. It was now that the European trade was beginning to reach large proportions, and the exportation both to India and Persia was greater than ever. It was a time above all for the manufacture of large pieces, but we must not look any longer for the refinement and scholarly traditions of earlier Ming periods. Dr. Bushell tells us that large bowls of the Wan-li ware are still in use in the shops and stalls of Pekin. For us the difficulty is to distinguish the blue and white ware of this reign from that made for exportation during the next half century, a period during which the annals of the Chinese authorities are a blank. The reign of Wan-li is above all the period during which the use of enamel colours became prevalent, and now, for the first time, some of the ware made for the palace was, in spite of the protests of the censor, so decorated. But we will reserve what we have to say on the origin of Chinese enamelled ware until we come to treat of the progress made in the reign of Kang-he.
KANG-HE.--After the death of Wan-li, in 1619, there is a long gap in the history of Chinese porcelain. Some twenty years later, the last emperor of the native dynasty was driven out by the Manchu Tatars, and the dynasty which still reigns in the country was founded. But neither during the reign of the first emperor of the new Tsing or ‘Pure’ dynasty, nor indeed during the first part of the long reign of his great successor Kang-he (1661-1722), was much attention given to the imperial factory at King-te-chen. The early years of Kang-he’s reign were occupied with quelling the last efforts of the native Chinese party. We may date the revival of active work from the appointment of Tsang Ying-hsuan,[56] in the year 1683, to the post of superintendent at the porcelain works. It was then, after an interval of more than sixty years--almost a blank in the history of Chinese porcelain--that the great renaissance set in, and we may date from that time the beginning of the last great stage in that history--a stage which was to last for another hundred years. During that period a succession of able and enthusiastic men were in charge of the imperial works. With the support of the great emperors who ruled in China for three long generations, they were able to bring the manufacture of porcelain to a point of perfection reached neither before nor since, and to produce that wonderful series of vases, bowls, and plates that now fill the museums and private collections of Europe and America.