The writing-room, or rooms, came to be a very important place in those monasteries noted for their literary activity. West gives an interesting description of the _scriptorium_ at Tours, where the learned English monk, Alcuin, was Abbot from 796 to 804, and which at the time was the principal book-writing monastery in Frankland. Describing Alcuin's labors to secure books to send to other monasteries in Charlemagne's kingdom, he says:
We can almost reconstruct the scene. In the intervals between the hours of prayer and the observance of the round of cloister life, come hours for the copying of books under the presiding genius of Alcuin. The young monks file into the _scriptorium_, and one of them is given the precious parchment volume containing a work of Bede or Isidore or Augustine, or else some portion of the Latin Scriptures, or even a heathen author. He reads slowly and clearly at a measured rate while all the others seated at their desks take down his words, and thus perhaps a score of copies are made at once. Alcuin's observant eye watches each in turn, and his correcting hand points out the mistakes in orthography and punctuation. The master of Charles the Great, in that true humility that is the charm of his whole behavior, makes himself the writing-master of his monks, stooping to the drudgery of faithfully and gently correcting their many puerile mistakes, and all for the love of studies and the love of Christ. Under such guidance, and deeply impressed by the fact that in the copying of a few books they were saving learning and knowledge from perishing, and thereby offering a service most acceptable to God, the copying in the _scriptorium_ went on in sobriety from day to day. Thus were produced those improved copies of books which mark the beginning of a new age in the conserving and transmission of learning. Alcuin's anxiety in this regard was not undue, for the few monasteries where books could be accurately transcribed were as necessary for publication in that time as are the great publishing houses to-day. [14]
[Illustration: FIG. 41. CHARLEMAGNE'S EMPIRE, AND THE IMPORTANT MONASTERIES OF THE TIME Charlemagne's empire at his death is shaded darker than other parts of the map.]