Wolcott was still of this opinion when the evening mail brought a letter from Aunt Emmeline. He read it, and reread it, and then read a certain portion a third time. It ran as follows:—
“Thank you so much for sending me the copy of the _Literary Monthly_. I had no idea that the boys could write so well. The poem by your friend Marchmont is extremely good. It reminds me so much of one written by my dear friend, Alice Codman, many years ago. It was published, I think, in the _Atlantic_. Every one said that she had a great poetic gift, and she certainly wrote some very sweet and beautiful poems. She died in 1870, only twenty-four years old. It was very sad that one so talented and full of promise should be taken away so early.
“How fortunate you were to meet such a nice, refined boy as Marchmont immediately after you arrived; it almost reconciles me to Seaton. Tompkins and Laughlin must be perfectly dreadful. I hope you will associate as little as possible with such underbred persons. Of course one owes it to one’s self to be polite to all classes, but one chooses one’s friends.”
The last part of this extract for some reason stirred Wolcott’s bile, in spite of the fact that he was at that moment feeling inimical to both the underbred fellows against whom his aunt warned him. He gave little attention, however, to this objectionable passage, but the reference to Miss Codman suggested several disquieting questions.
Could anything be wrong with Marchmont’s poem? Did Tompkins mean to hint that the verses published under Marchmont’s name were really not Marchmont’s? He had not said so in so many words, and his remarks, as Wolcott reviewed them, did not necessarily imply such a meaning; but the tone of contempt and blind hostility which Tompkins used in reference to Marchmont proved him capable of any mean suspicion. Could it be possible that Marchmont had used some lines of Miss Codman’s as a model for his own work? Absurd! The poem was suggested by something that he himself had seen. And then, what could he have known of Miss Codman or anything she ever wrote? He read French novels—in translations—by the dozen; but old _Atlantics_ never! And though he might not always be fussy about the authorship of his Latin composition exercises, or the perfect accuracy of his reports, it was only because he drew a line between school authorities and the rest of the world, not because he lacked the sense of honor which a gentleman should possess. Marchmont would never steal a poem and call it his own. It was an outrage to suggest such a thing!