'I guess the secret of your recklessness, Gerald; I read it in every word you speak.'
'You are in love, _mon cher_. These are the promptings of a hopeless passion.'
'You were never more wrong in your life,' said Gerald, blushing till his face and forehead were crimson.
'Would you try to deceive a man trained to the subtleties of such a life as mine? Do you fancy that a "mouchard" cannot read the thoughts that men have scarcely confessed to themselves? It is not their privilege to win confidences, but to extort them; and so, I tell you again, Gerald, you are in love.'
'And again I say, you are mistaken; I have but to remind you of the life I lead--its cares and duties--to show you how unlikely, if not impossible, is such an event.'
'Bah!' said the other scoffingly. 'You stand at the door of the opera. As the crowd pours out, a shawled and muffled figure hastily passes to her carriage; she speaks a word or two, and the tones are in your heart for years after. The diligence drives at daybreak through some country village; a curtain is hastily withdrawn, and a pair of eyes meet yours, in which there is no expression save a pleased surprise; and yet you think of them in far-away lands, and across seas, as dear remembrances. Something more than these, an impression a little stronger, will oftentimes give the motive to a whole life. You doubt it; well, listen to a confession of my own.
'When I first took service under my present masters, they assigned to me, as the sphere of duty, a small and miserable theatre in the cité. When I tell you that the entrance was four sous, you have the measure of its pretensions. What singular destiny brought our strange corps together I cannot think; we were of every class and condition of life, and of every shade of temperament and character. There was a Catalonian condemned for life to the galleys in Spain; a Swiss, who had poisoned a whole family; a monk, whose convent had been burned, and he himself the only one escaped; a court lady, who had been betrothed to an ambassador; and a gipsy girl, who had exhibited her native dances through all the towns of Italy. These were but a few of our incongruous elements, and it is with the last of them only I have to deal--the gipsy. Whence she came, or with whom, I never could learn. I only know that one evening, from some illness of our first actress, we were driven upon our own resources to amuse the public. Each, after his fashion, delivered some specimen of his talents, by repeating some well-known part, some oft-recited speech or song. When it came to her turn to appear, she evinced no fear or trepidation; she did not even ask a question of advice or counsel, but walked boldly on, stood for a second or two contemplating the dense crowd before her, and then began a strange, wild rhapsody, illustrating the events of the time. She told of the nobles living in splendour, ignoring the sorrows of the poor, forgetting their very existence. She described their life of luxury and pleasure, how they beguiled their leisure hours with enjoyments. She counterfeited their polished intercourse. She was a duchess; her ragged, tattered shawl swept the ground as a train, and she curtsied with a grace and dignity the highest might have envied. She presented her daughter to some great noble: the young girl was asked to sing; and then, taking her guitar, she sang a troubadour melody, and with a touching tenderness that brought tears over cheeks seared and sorrow-worn. Her aim was evidently to throw over the haughty existence of a hated class the softened light of a home; to show that among that proud order the same sympathies lived and reigned, the same affections grew, the same joys and griefs prevailed. Therein lay the power of vengeance. "They despise and reject you!" cried she; "they hold themselves apart from you, as beings of another destiny; of all this fair world contains they will not share with you, save in the air and sunlight; and yet their passions are your passions--their hates, loves, and jealousies are all your own. All their wealth teaches no new affection, all their civilisation can stifle no old pang. If you be like them, then, in all these, why not resemble them in their cruelties? Down with them! down with them!" she cried, "for the brand to burn, and the axe to cleave." She shrieked the wild scream of an incensed populace. The chateau was attacked on every side--but why do I continue? The terrible roar of the famished crowd before her is still in my ears, as she sank dying on the stage, the martyred girl of the people, pouring out her blood for her brethren.