So that was life. That was reality. That was the way men treated women. She thought she began to understand what faithlessness and unfaithfulness meant. She had seen an unfaithful man, and had heard him telling the woman he had made love him that he never could love her any more. That was real life.
Clare's heart went out to the little lady in white. By this time she was alone in her cabin, and her pillow was wet with tears. Brook doubtless was calmly asleep, unless he were drinking or doing some of those vaguely wicked things which, in the imagination of very simple young girls, fill up the hours of fast men, and help sometimes to make those very men "interesting." But after what she had seen Clare felt that Brook could never interest her under imaginable circumstances. He was simply a "brute," as the lady in white had told him, and Clare wished that some woman could make him suffer for his sins and expiate the misdeeds which had made that little face so desperate and that short laugh so bitter.
She wished, though she hardly knew it, that she had done anything rather than have sat there in the shadow, all through the scene. She had lost something that night which it would be hard indeed to find again. There was a big jagged rent in the drop-curtain of illusions before her life-stage, and through it she saw things that troubled her and would not be forgotten.
She had no memory of her own of which the vivid brightness or the intimate sadness could diminish the force of this new impression. Possibly, she was of the kind that do not easily fall in love, for she had met during the past two years more than one man whom many a girl of her age and bringing up might have fancied. Some of them might have fallen in love with her, if she had allowed them, or if she had felt the least spark of interest in them and had shown it. But she had not. Her manner was cold and over-dignified for her years, and she had very little vanity together with much pride--too much of the latter, perhaps, to be ever what is called popular. For "popular" persons are generally those who wish to be such; and pride and the love of popularity are at opposite poles of the character-world. Proud characters set love high and their own love higher, while a vain woman will risk her heart for a compliment, and her reputation for the sake of having a lion in her leash, if only for a day. Clare Bowring had not yet been near to loving, and she had nothing of her own to contrast with this experience in which she had been a mere spectator. It at once took the aspect of a generality. This man and this woman were probably not unlike most men and women, if the truth were known, she thought. And she had seen the real truth, as few people could ever have seen it--the supreme crisis of a love-affair going on before her very eyes, in her hearing, at her feet, the actors having no suspicion of her presence. It was, perhaps, the certainty that she could not misinterpret it all which most disgusted her, and wounded something in her which she had never defined, but which was really a sort of belief that love must always carry with it something beautiful, whether joyous, or tender, or tragic. Of that, there had been nothing in what she had seen. Only the woman's face came back to her, and hurt her, and she felt her own heart go out to poor Lady Fan, while it hardened against Brook with an exaggerated hatred, as though he had insulted and injured all living women.