Sundew is the debut album by Mancunian band Paris Angels, released by Virgin Records in 1991. Following the group's arrival onto the British music scene during the popularity of Madchester, the album features the group's unique take on Madchester and baggy, combining Northern indie music with electronic instrumentation, techno and dance-pop. The album's cross-influenced sound is a result of each of the seven members of the band bringing their own influences. Much of the record, which was produced by Paul Johnson, was recorded near Wrexham, North Wales.
Despite lacking a hit single, the album reached number 37 on the UK Albums Chart, although general public indifference was a result of the Madchester scene losing popularity, and the band were dropped from Virgin after the label was sold to EMI in 1992, causing the band to split up and abandon their second album. Nonetheless, Sundew received acclaim from music critics, and today is regarded as a classic of its genre.
Background
Seven-piece Paris Angels formed in Manchester. Lead singer Rikki Turner, guitarist Paul Wagstaff and bassist Scott Carey were the group's original members, writing songs in the style of Echo & the Bunnymen, but later additions to the band brought other influences, including backing singer Jayne Gill, who was a fan of the Velvet Underground, and Steven Tajti, who was interested in Moog synthesisers, and his addition to the band contributed to what Carey described as "that Donna Summer/Kraftwerk (in our minds) edge." As the group performed Velvet Underground and Bunnymen covers, they began listening to electro and early house music. The group arrived on the music scene as the Madchester scene was peaking in popularity, and the scene caused the band to change direction and begin fusing acid house with indie music; Carey later told Louder Than War:
According to Damon Wilkinson of Manchester Evening News, the group combined their love of acid house, post-punk and the Velvet Underground to "create their own unique take on Baggy," a combination brought together on their best-known song, "Perfume" (1990), which was the group's debut single, released after singing to independent label Sheer Joy. The song was a Top Ten hit on the UK Indie Chart in the summer of 1990. Produced by Michael Johnson, also known for engineering New Order, the song is considered one of the greatest Madchester singles, with its combination of whooshing synths, glistening guitars and the vocals of Jayne Gill and Turner. Mancunian pop biographer John Robb recons the song is a "great piece of melancholic, psychedelic Manc-pop." The subsequent singles "Scope" and "Fade" were nearly as successful, leading to the group signing a deal with Virgin Records, a deal the group later regretted. Carey explained: "We were skint. Sheer Joy ploughed any profits from singles back into the label and being a 7 piece band on an indie label wasn’t easy. Sheer Joy was great to work with as we had control but Virgin funded us which meant better studios and more time in studios but we had A&R to deal with."
Recording and composition
With Johnson returning as producer, Sundew was recorded at Suite 16 Studios in June 1990 and The Windings, North Wales in March 1991, with further recording that year taking place in York. Most of the recording took place at The Windings, which was located near Wrexham, and the group lived there for a month. Carey recalled: "Recording Sundew was a brilliant time. We recorded most of it in Wales near Wrexham and we lived there for a month and did really long sessions followed by really long partying, were we exhausted but really put a lot into it. There was an optimism that what we were doing was the start of a lot to come, we naively thought the 6 LP deal we signed would be seen out." Backing singer Jayne Gill recalls there were several disagreements at times during recording, but felt this was expected as the group had seven members. Pee Wee Coleman engineered the album sessions, although Ronan Sargeant engineered the album's sixth track, "Perfume (All on You)".