“but remans your “Obedient servant “Peter W——.”
This was a letter from a man with aspirations, and below is a letter from Mrs. Siddons. If this actress, whose position was probably the grandest and greatest of any woman on the stage, can express such sentiments, what must be the experiences of less successful players?
“Mrs. Siddons presents her compliments to Miss Goldsmith, & takes the liberty to inform her, that altho’ herself she has enjoyed all the advantages arising from holding the first situation in the drama, yet that those advantages have been so counterbalanced by anxiety & mortification, that she long ago resolved never to be accessory to bringing any one into so precarious & so arduous a profession.”
The deterrent words of Mrs. Siddons had little effect in her day, just as the deterrent words of those at the top of the profession have little effect now. Consequently, not only does the honest agent flourish, but the bogus agent and bogus manager grow rich on the credulity of young men and women.
Speaking of the bogus manager, Sir Henry Irving observed:
“The actor’s art is thought to be so easy—in fact, many people deny it is an art at all—and so many writers persistently assert no preparation is needed for a career upon the stage, that it is little wonder deluded people only find out too late that acting, as Voltaire said, is one of the most rare and difficult of arts. The allurements, too, held forth by unscrupulous persons, who draw money from foolish folk under the pretence of obtaining lucrative engagements for them, help to swell very greatly the list of unfortunate dupes. I hope that these matters may in time claim the attention of serious-minded persons, for the increasing number of theatrical applicants for charity, young persons, too, is little less than alarming.”
This remark of Sir Henry’s is hardly surprising when below is a specimen application received by the manager of a London suburban theatre from a female farm servant in Essex:
“DEER SUR,—I works hon a farm but wants to turn actin. Would lik ingagement for the pantomin in hany ways which you think I be fit for. I sings in the church coir and plais the melodion. I wants to change my work for the stage, has am sik of farm wark, eas last tater liftin nigh finished me.”