Master of Middle-earth: The Fiction of J. R. R. Tolkien, alternatively subtitled The Achievement of J.R.R. Tolkien, is a 1972 book of literary criticism of J. R. R. Tolkien's Middle-earth fantasy writings, written by Paul H. Kocher, and one of the few to be published in Tolkien's lifetime. It focuses especially on The Lord of the Rings and The Hobbit, and also covers some of his minor works such as "Leaf by Niggle" and "Smith of Wootton Major".

At a time when scholars were largely critical of Tolkien and his prose style, it both praised his writing and, in the absence of either The Silmarillion or Christopher Tolkien's The History of Middle-earth on the process of creation of Tolkien's fiction, it correctly inferred many of his major themes. It was one of the earliest book-length analyses of Tolkien's work, winning Kocher the 1973 Mythopoeic Society's Scholarship in Inkling Studies Award.

Master of Middle-Earth

Context

J. R. R. Tolkien (1892–1973) was a scholar of English literature, a philologist and medievalist interested in language and poetry from the Middle Ages, especially that of Anglo-Saxon England and Northern Europe. His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, helped to shape his fictional world of Middle-earth. His intention to create what has been called "a mythology for England" led him to construct not only stories but a fully-formed world, Middle-earth, with invented languages, peoples, cultures, and history. Among his many influences were his own Roman Catholic faith, and medieval languages and literature. He is best known as the author of the high fantasy works The Hobbit (1937), The Lord of the Rings (1954–1955), and The Silmarillion (1977), all set in Middle-earth.

Master of Middle-Earth

The early literary reception of The Lord of the Rings was divided between enthusiastic support by figures such as W. H. Auden and C. S. Lewis, and outright rejection by critics such as Edmund Wilson.

Master of Middle-Earth

Paul H. Kocher was a scholar of English literature. The book was published before The Silmarillion appeared to confirm several of Kocher's inferences about the mythical history of Middle-earth.

Book

Publication history

The book was first published in hardback by Houghton Mifflin in the United States in October 1972. The first British edition was brought out by Thames & Hudson in hardback in 1973, with the title Master of Middle-earth: The Achievement of J.R.R. Tolkien. Paperback editions followed: by Penguin Books in 1974, Ballantine Books in 1977, Pimlico in 2002, and Del Rey in 2003. The book has been translated into Dutch, French, German, Italian, Polish, and Swedish. Versions include:

—— published in Britain as Master of Middle-Earth: The Achievement of J. R. R. Tolkien. London: Thames and Hudson, 1973. —— reprinted several times, such as in New York: Ballantine Books, 1977; New York: Del Rey, 1982 and 2003; and London: Pimlico, 2002.

Translations include:

—— French by Jean Markale as Le royaume de la terre du milieu: Les clés de l'oeuvre de J.R.R. Tolkien. Paris: Retz, 1981. —— Italian, Il maestro della Terra di Mezzo, Rome: Bompiani, 2011. —— Swedish by Åke Ohlmarks, Tolkiens sagovärld: En vägledning. Stockholm: AWE/Geber, 1989; and Stockholm: Geber, 1973. —— Dutch by Max Schuchart, Tolkien: Meester van midden-aarde: Zijn romans en verhalen. The Hague: Bert Bakker, 1973. —— Polish by Radosław Kot as Mistrz Śródziemia. Warsaw: Amber, 1998.

Synopsis

The book has seven chapters, a "Bibliographical Note" on Tolkien's publications, academic notes, and a full index. The chapters cover:

1. "Middle-earth: An Imaginary World" – how Tolkien blends fantasy and reality to create his world. Kocher quotes Tolkien's statement about creating secondary worlds, that they have to command a kind of belief, and while they may contain dwarfs, trolls, and dragons, these have to be set in a world with realistic features of sea and sky and earth. He notes that Middle-earth is "our earth as it was long ago".

2. "The Hobbit" – on the quality of Tolkien's children's book. Kocher suggests that the key is to think of Tolkien sitting by the fireside telling the story to a group of children: in the text, he addresses the reader directly. "Jocular interjections" help to maintain "a playful intimacy", while the text "is full of sound effects". All the same, the intended readership is vague, as some passages, like Bard's claim to Smaug's treasure, are more for adults. He notes, too, the change in the "true story" of how Bilbo got the One Ring in the 1966 prologue to The Lord of the Rings, helping to smooth the transition between the two novels.