The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by the American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker: "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym Geoffrey Crayon, which he would continue to employ throughout his literary career.

The Sketch Book, along with James Fenimore Cooper's Leatherstocking Tales, was among the first widely read works of American literature in Britain and Europe. It also helped advance the reputation of American writers with an international audience.

The Sketch Book of Geoffrey Crayon, Gent.

Overview

Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow" the pieces which made both Irving and The Sketch Book famous the collection of tales includes "Roscoe", "The Broken Heart", "The Art of Book-making", "A Royal Poet", "The Spectre Bridegroom", "Westminster Abbey", "Little Britain", and "John Bull". Irving's stories were highly influenced by German folktales, with "The Legend of Sleepy Hollow" being inspired by a folktale retold by J. K. A. Musäus.

The Sketch Book of Geoffrey Crayon, Gent.

Stories range from the maudlin (such as "The Wife" and "The Widow and Her Son") to the picaresque ("Little Britain") and the comical ("The Mutability of Literature"), but the common thread running through The Sketch Book and a key part of its attraction to readers is the personality of Irving's pseudonymous narrator, Geoffrey Crayon. Erudite, charming, and never one to make himself more interesting than his tales, Crayon holds The Sketch Book together through the sheer power of his personality and Irving would, for the rest of his life, seamlessly enmesh Crayon's persona with his own public reputation.

The Sketch Book of Geoffrey Crayon, Gent.

Little more than five of the 33 chapters deal with American subjects: the essays "English Writers on America", "The Traits of Indian Character", "Philip of Pokanoket: An Indian Memoir", and parts of "The Author's Account of Himself" and "The Angler"; and Knickerbocker's short stories "Rip Van Winkle" and "The Legend of Sleepy Hollow". Most of the remainder of the book consists of vignettes of English life and landscape, written with the author's characteristic charm while he lived in England. Irving wrote in a preface for a later edition:

Background

Irving began writing the tales that would appear in The Sketch Book shortly after moving to England for the family business, in 1815. When the family business spiraled into bankruptcy throughout 1816 and 1817 a humiliation that Irving never forgot Irving was left with no job and few prospects. He tried at first to serve as an intermediary between American and English publishers, scouting for English books to reprint in America and vice versa, with only marginal success. In the autumn of 1818, his oldest brother William, sitting as a Congressman from New York, secured for him a political appointment as chief clerk to the Secretary of the U.S. Navy, and urged Irving to return home. Irving demurred, however, choosing to remain in England and take his chances as a writer. As he told friends and family back in the United States:

Irving spent late 1818 and the early part of 1819 putting the final touches on the short stories and essays that he would eventually publish as The Sketch Book through 1819 and 1820.

Contents

The Sketch Book initially existed in two versions: a seven-part serialized American version in paperback and a two-volume British version in hardback. The British edition contained three essays that were not included in the original American serialized format. Two more essays, "A Sunday in London" and "London Antiques", were added by Irving in 1848 for inclusion in the Author's Revised Edition of The Sketch Book for publisher George Putnam. At that time, Irving reordered the essays. Consequently, modern editions based on Irving's own changes for the Author's Revised Edition do not reflect the order in which the sketches originally appeared.

Modern editions of The Sketch Book contain all 34 stories, in the order directed by Irving in his Author's Revised Edition, as follows: