"THESE are the principles on which I shall make my appeal, on behalf of myself and colleagues; and in words which are placed in the mouths of the meanest felons in the dock, and which are not unworthy of the lips of a First Minister of the Crown, 'I elect that we shall be tried by God, and our country!'"

It is recorded by some of the Journals, that this noble appeal, with which the Earl of Derby sate down, was received "with tremendous cheering"--a reception it richly deserved: and a similar one it deserves, and will receive, and is receiving already, in every loyal and patriotic assemblage which may have an opportunity of considering it, throughout the nation. It contains the exact issue to be ere long decided by the country. A very solemn issue it is, fraught with momentous consequences, alike to Sovereign and subject--an issue of enormously larger proportions than those to which Lord Derby's enemies seek so eagerly to reduce it. This pregnant paragraph ought to be a kind of watchword during the coming fight. It shows a distinct perception by the speaker of a fact indicated by ourselves in the preceding pages--that Lord Derby's Government is separated from its predecessors, and its present newly-combined opponents, by a GREAT GULF. That gulf is REVOLUTION; and every moderate politician and staunch lover of his country, without respect to Whig or Tory, Protectionist or Free-Trader, at this moment has that gulf yawning before his eyes.

Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852 — Part 26

We see a signal beauty and force in the Earl of Derby's concluding reference to a formula of our ancient criminal jurisprudence: and completing that reference, we fervently add--"_God send thee_ A GOOD DELIVERANCE!"

Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852 — Part 26

The next morning Harley appeared at breakfast. He was in gay spirits, and conversed more freely with Violante than he had yet done. He seemed to amuse himself by attacking all she said, and provoking her to argument. Violante was naturally a very earnest person; whether grave or gay, she spoke with her heart on her lips, and her soul in her eyes. She did not yet comprehend the light vein of Harley's irony; so she grew picqued and chafed; and she was so lovely in anger; it so brightened her beauty and animated her words, that no wonder Harley thus maliciously teased her. But what, perhaps, she liked still less than the teasing--though she could not tell why--was the kind of familiarity that Harley assumed with her--a familiarity as if he had known her all her life--that of a good-humoured elder brother, or a bachelor uncle. To Helen, on the contrary, when he did not address her apart, his manner was more respectful. He did not call _her_ by her Christian name, as he did Violante, but "Miss Digby," and softened his tone and inclined his head when he spoke to her. Nor did he presume to jest at the very few and brief sentences he drew from Helen; but rather listened to them with deference, and invariably honoured them with approval. After breakfast he asked Violante to play or sing; and when she frankly owned how little she had cultivated those accomplishments, he persuaded Helen to sit down to the piano, and stood by her side while she did so, turning over the leaves of her music-book with the ready devotion of an admiring amateur. Helen always played well, but less well than usual that day, for her generous nature felt abashed. It was as if she was showing off to mortify Violante. But Violante, on the other hand, was so passionately fond of music that she had no feeling left for the sense of her own inferiority. Yet she sighed when Helen rose, and Harley thanked her for the delight she had given him.

Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852 — Part 26