Now observe that this gigantic, unmanageable-looking leaf, like everything else about the coconut tree, is almost a ready-made article, demanding no machinery to turn it to account, except the "koita" which hangs ever ready from the nude man's girdle. With it he will cleave the backbone lengthwise, and then, taking each half separately, he will simply twist backwards every second sword and plait them all into a mat two feet wide, eight or ten feet long, and firmly bounded and held together on one side by the unbreakable backbone. This is a "jaolee," lighter than slates, or tiles, and more handy than any form of thatch. You have just to arrange your "jaolees" neatly on your bamboo frame, each overlapping the one below it, then tie them securely in their places with coir rope and your roof is made for a year.
There is yet another benevolence of the coconut tree which I have left to the last, and the simple folk of whom I am trying to write with fellow feeling would certainly have named it first. I ought to refer to it as a curse: they, without qualm or question, call it a blessing. Let me try to describe it dispassionately. If you wander in any palm grove in Western India, looking upward, it will soon strike you that a large number of the trees do not seem to bear coconuts at all, but black earthen pots. If your visit should chance to be made early in the morning, or late in the afternoon, the mystery will soon be revealed. You will see a dusky, sinewy figure, not of a monkey, but of a man, ascending and descending those trees with marvellous celerity and ease, grasping the trunks with his hands and fitting his naked feet into slight notches cut in them. The distance between the notches is so great that his knee goes up to his chin at each step, but he is as supple as he is sinewy and feels no inconvenience. For he is a Bhundaree, or Toddy-drawer, and his forefathers have been Bhundarees since the time, I suppose, when Manu made his immortal laws.
His waistcloth is tightly girded about him, in his hand he carries a broad billhook as bright and keen as a razor, and from his caudal region depends a tail more strange than any borne by beast or reptile. It looks like a large brown pot, constructed in the middle. It is, in fact, a large gourd, or calabash, hanging by a hook from the climber's waistband. When he has reached the top of a tree, he gets among the branches and, sitting astride of one of them, proceeds to detach one of the black pots from the stout fruit stem on which it is fastened, and empty its contents into his tail. Then, taking his billhook, he carefully pares the raw end of the stem, refastens the black pot in its place and hurries down to make the ascent of another tree, and so on until his tail is full of a foaming white liquor spotted with drowned honey bees and filling the surrounding air with a rank odour of fermentation. This liquor is "toddy."