“Give me the moonlight, give me the goat, And—leave the rest to me!”

caroled Pemrose, laughing all over, in quivering excitement, at the memory of how illusory moonlight, long-haired goats, half-bred Angora, with the novelty of the wee ’oor had—a few hours before—put phantoms over upon the imagination.

Pemrose Lorry, Radio Amateur — Part 40

“Well—well! do you know that it isn’t goats we ought to think of now, but cows, if we re going after milk for breakfast.” Naomi waved her sketchbook—a rallying pennon. “They’ll say, the other girls, hungry girls, that we—we’d be good ones to send out after trouble, because we’re so slow in getting back,” with a fluttering dimple.

Pemrose Lorry, Radio Amateur — Part 40

“But—but I say,” began the budding artist again, as girlish feet pursued the trail, “where’s the use of our all plodding on to the farmhouse? Can’t ‘Jack’—Una—and I wait here—and you pick us up on the way back?”

Pemrose Lorry, Radio Amateur — Part 40

“Yes! Oh! this wood.” Una the ultra-feminine “Jack”, sniffed greedily. “This wood! It smells just like glorified strawberry jam; the wild strawberries are late here.”

“And there’s the most delectable little brook that ever you saw over there,” pleaded Naomi. “The shadows, reflections, in it: blue-greens of pines, greeny-greens of rocks, gray-green of the water, itself. And—and the light that never was on land or sea, this hour of the morning!” The cooing whisper was the very voice of the green-gold radiance, itself. “Una could hunt—wild—flowers—”

Was it—was it the light that didn’t seem to belong on land or sea, the light that seemed adrift as it flashed from under a riders hat, just a minute or two before, that stiffened Pemrose’s tart answer then.

“No-o, you don’t!” She decided quickly. “I’m leader of this expedition—and we stick together. Forward march—and no straggling! Good-bye, Dandering Kate!”

As girlish hands waved farewell to the spiky pincushions, the wood-road abruptly gave out in a field, which, in turn, yielded to a potato patch that led up to the farmhouse door.

Milk cans clashing together like cymbals, brought the farmer’s wife, sunbonneted, from a meadow where she had been helping with the first crop of hay.

“Yes, my sakes! you can get all the milk you want,” she cried, “but my son ain’t through milking yet, though it’s on for eight o’clock. He’s as awk’ard as a one-armed paper hanger this morning,” in a lowered tone, “you see his right arm has been pretty bad ever since the war. It was broken by a machine-gun bullet; sometimes he can use it—sometimes it worries him, ain’t no good, at all. You can go round to the barn yerselves.”