“Hey you, man! What are you doing over here?” I approach, I explain to him the motive that brings me. He thrashes his arms about and bawls:

“Go in again! You have no right to walk about in this garden until they give you your costume.”

Sac-Au-Dos — Part 5

I go back into the room, a nurse arrives and brings me a great military coat, pantaloons, old shoes without heels, and a cap like a nightcap. I look at myself, thus grotesquely dressed, in my little mirror. Good Heavens, what a face and what an outfit! With my haggard eyes and my sallow complexion, with my hair cut short, and my nose with the bumps shining; with my long mouse-gray coat, my pants stained russet, my great hedless shoes, my colossal cotton cap, I am prodigiously ugly. I could not keep from laughing. I turn my head toward the side of my bed neighbor, a tall boy of Jewish type, who is sketching my portrait in a notebook. We become friends at once; I tell him to call me Eugène Lejantel; he responds by telling me to call him Francis Emonot; we recall to each other this and that painter; we enter into a discussion of esthetics and forget our misfortune. Night arrives; they portion out to us a dish of boiled meat dotted black with a few lentils, they pour us out brimming cups of coco-clairet, and I undress, enchanted at stretching myself out in a bed without keeping my clothes and my shoes on.

Sac-Au-Dos — Part 5

The next morning I am awakened at about six o’clock by a great fracas at the door and a clatter of voices. I sit up in bed, I rub my eyes, and I see the gentleman of the night before, still dressed in his wrapper, brown the color of cachou, who advances majestically, followed by a train of nurses. It was the major. Scarcely inside, he rolls his dull green eyes from right to left and from left to right, plunges his hands in his pockets and bawls:

Sac-Au-Dos — Part 5

“Number One, show your leg--your dirty leg. Eh, it’s in a bad shape, that leg, that sore runs like a fountain; lotion of bran and water, lint, half-rations, a strong licorice tea. Number Two, show your throat--your dirty throat. It’s getting worse and worse, that throat; the tonsils will be cut out to-morrow.”

“Eh, I am not asking anything from you, am I? Say one word and I’ll put you on a diet.”

“Put that man on a diet. Write: diet, gargles, strong licorice tea.”