_Girl Alone._ (Trans. Agnes Scott). Farrar 1936. A girl in difficulties finds temporary refuge with a lesbian friend.
WINSTON, DAOMA. _The Golden Tramp._ pbo Beacon Books 1959. Evening waster about a woman writer trying it both ways.
WOLLER, OLGA. _Strange Conflict._ Pageant, 1955. Purple-passaged and would-be-horrifying story about a Eurasian hermaphrodite—supposedly as she is because of her mother’s intercourse with demons before her birth—who inspires love and brings death to everyone she knows, male or female.
WOODFORD, JACK. _Male and Female._ Woodford Press, 1935.
_Unmoral._ Woodford Press, 1938. Both of these are evening wasters—racy stuff, not bad at all when compared with the current crop of trashy paperbacks. The “lesbian” content, of course, is strictly for fun.
WOOD, CLEMENT. _Strange Fires._ Woodford Press, 1951. “Shipwreck on Lesbos” in his _Desire_, Berkeley n. d. 1958 (copyright 1950, perhaps Woodford Press?) Clement Wood is either a pen name for, or a successor to, Jack Woodford, a popular writer of racy, risque, sexy books of little literary merit but relatively innocuous even for teen-agers ... the trash of the thirties and forties was a very different thing from the scv of the fifties.
WOOD, CLEMENT, and Gloria Goddard. _Fair Game._ Woodford Press, 1949, pbr Beacon 1958. Evening waster about girls coming to the wicked big city, and we all know what happens to such girls in this kind of book. One of them falls in with the dangerous women instead of the dangerous men.
+ WOOLF, VIRGINIA. _Orlando._ _To The Lighthouse._
_Mrs. Dalloway._ All of these are classics easily available in small, medium and large libraries, college bookstores, and the like. The lesbian content is vague and subtle, but good; one of the best woman writers.
WOUK, HERMAN. _Marjorie Morningstar._ Doubleday 1955, pbr 1956. The variant element in this is minor and problematical. In conversation, it occurred to a group of reviewers that the developing relationship between Marjorie and Marsha “resembled a love affair”, that Marsha’s attack of hysterics at her wedding, and her outcry that all she had ever wanted was a friend, and now she’d always be alone, was of distinct significance. BAYOR.