“You’s a--a--_which_?” Skeeter asked, his eyes sticking out like a bug’s.

“I gibs a show,” Deo Diddle explained. “I lets people handcuff me an’ I slips ’em off as easy as you kin take off a glove. I lets people nail me up in a box an’ I gits out as easy as you kin git outen dat chair. I lets people tie me in bed wid ropes an’ I gits loose as easy as a pickaninny kin fall outen a hammock. An’ on de side, I tells forchines, reads minds, finds lost treasures, an’ gives a few sleight-of-han’ tricks.”

E. K. Means — Part 105

“Huh!” Skeeter and Figger grunted in a duet.

E. K. Means — Part 105

“Yes, suh,” Deo Diddle went on. “I done hired dat hall down in de settlemint called Dirty-Six, an’ I’s gibin’ a show eve’y night fer three nights. Would you wish to come?”

E. K. Means — Part 105

“I shore would!” Skeeter exclaimed eagerly.

“I’s glad to hear you say dat, suh,” Deo replied. “I’s gwine gib a free pass to you an’ Mr. Bush, an’ I hopes you will speak up my show fer me. Admission ten cents fer chillun an’ two-bits fer growed-ups!”

He handed Skeeter and Figger a slip of paper apiece, and rose and walked out of the saloon, leaving the two men to gaze after him in speechless astonishment. After a long time, Figger remarked:

“You done got yo’ wuck cut out fer you, Skeeter. You know how batty female womans is about show folks!”

A show given by negroes will attract other negroes as a barrel of molasses attracts flies. The little hall in Dirty-Six was filled to its capacity a long time before the hour of the exhibition.

Skeeter Butts and Figger Bush occupied the front seat directly facing the center of the stage.

“Whar is Tella Tandy, Figger?” Skeeter asked uneasily, scanning the faces in the crowd. “I went to her house atter her an’ dey tole me she’d done went. But I don’t see her.”

“She’ll git here on time,” Figger assured him. “She ain’t hatin’ dis Deo Diddle none, an’ she’ll watch him pufform.”

Then the ragged curtain parted in the middle, one half being pulled to each side of the stage.

“Ladies an’ gen’lemans,” Deo Diddle began, “I’s gwine gib a refined exhibition of sleight-of-hands fust of all, an’ I defy anybody to kotch me at my tricks.”

The stunts which followed were too simple and commonplace to mention, but they were wonderful because new to the Tickfall negroes. In a little while the whole house was vocal with the comments of the spectators, who made remarks in a loud voice, and sometimes got into an argument with some friend across the room.