John Stoddart, a friend of Coleridge, visited him while at Keswick in the month of October, 1800, and saw the Wordsworths at Grasmere (Dorothy Wordsworth's 'Journal', i, 55)--It was then that Stoddart obtained a copy of 'Christabel', and read it shortly afterwards [3] to Sir Walter Scott, then busy with his 'Border Minstrelsy'. The beauty of 'Christabel' touched Sir Walter's romantic imagination, and echoes of the poem are discernible in the 'Lay of the Last Minstrel' and the 'Bridal of Tryermain'.
But Coleridge, in spite of many attempts, could not complete the piece, and had to give up the endeavour. In a letter to Godwin of 25th March 1801, Coleridge thus laments what was practically the end of his career as a poet:
[Footnote 2: Letters CXVI-CXVII follow 104.]
I fear your tragedy [1] will find me in a very unfit state of mind to sit in judgment on it. I have been during the last three months undergoing a process of intellectual exsiccation. During my long illness I had compelled into hours of delight many a sleepless painful hour of darkness by chasing down metaphysical game, and since then I have continued the hunt, till I found myself, unaware, at the root of pure mathematics, and up that tall smooth tree, whose few poor branches are all at the very summit, am I climbing by pure adhesive strength of arms and thighs, still slipping down, still renewing my ascent. You would not know me! All sounds of similitude keep at such a distance from each other in my mind, that I have forgotten how to make a rhyme. I look at the mountains (that visible God Almighty that looks in at all my windows)--I look at the mountains only for the curves of their outlines; the stars, as I behold them, form themselves into triangles; and my hands are scarred with scratches from a cat, whose back I was rubbing in the dark in order to see whether the sparks from it were refrangible by a prism. The Poet is dead in me; my imagination (or rather the Somewhat that had been imaginative) lies like a cold snuff on the circular rim of a brass candlestick, without even a stink of tallow to remind you that it was once clothed and mitred with flame. That is past by. I was once a volume of gold leaf, rising and riding on every breath of Fancy, but I have beaten myself back into weight and density, and now I sink in quicksilver and remain squat and square on the earth amid the hurricane that makes oaks and straws join in one dance, fifty yards high in the element.