Descendants of the woman who died of the "Shoc o' Num Palsy" are said to live in the neighborhood, as well as some other odd characters who are embalmed in Parsons's humorous verse. But the ancient edifice is no longer an inn; the Red Horse on the swinging sign-board years ago ceased to invite the weary wayfarer to rest and cakes and ale; the memory-haunted chambers, where starry spirits met and tarried in the golden past, were later inhabited by laborers, who displayed the rooms for a fee and plied the pilgrim with lies anent the former famed occupants. The storied structure has recently passed to the possession of appreciative owners,--Hon. Herbert Howe being one of them,--who have made the repairs needful for its preservation and have placed it in the charge of a proper custodian.

A longer way out of Boston, in another direction, our guest is among the haunts of the beloved Quaker bard. On the bank of the Merrimac--his own "lowland river"--and among darkly wooded hills of hackmatack and pine, we find the humble farm-house, guarded by giant sentinel poplars, where eighty-eight years agone Whittier came into the world.

Literary Shrines — Part 42

Among the plain and bare apartments, with their low ceilings, antique cross-beams, and multipaned windows, we see the lowly chamber of his birth; the simple study where his literary work was begun; the great kitchen, with its brick oven and its heavy crane in the wide fireplace, where he laid the famous winter's evening scene in "Snow-Bound," peopling the plain "old rude-furnished room" with the persons he here best knew and loved. We see the dwelling little changed since the time when Whittier dwelt--a dark-haired lad--under its roof; it is now carefully preserved, and through the old rooms are disposed articles of furniture from his Amesbury cottage, which are objects of interest to many visitors.

Literary Shrines — Part 42

All about the place are spots of tender identification of poet and poem: here are the brook and the garden wall of his "Barefoot Boy;" the scene of his "Telling the Bees;" the spring and meadow of "Maud Muller;" not far away, with the sumachs and blackberries clustering about it still, is the site of the rude academy of his "School Days;" and beyond the low hill the grasses grow upon the grave of the dear, brown-eyed girl who "hated to go above him." We may still loiter beneath the overarching sycamores planted by poor Tallant,--"pioneer of Erin's outcasts,"--where young Whittier pondered the story of "Floyd Ireson with the hard heart."

Literary Shrines — Part 42