For dead history revives, and past history again becomes present, as the development of life demands them. The Romans and the Greeks lay in their sepulchres, until awakened at the Renaissance by the new maturity of the European spirit. The primitive forms of civilization, so gross and so barbaric, lay forgotten, or but little regarded, or misunderstood, until that new phase of the European spirit, which was known as Romanticism or Restoration, 'sympathized' with them--that is to say, recognized them as its own proper present interest. Thus great tracts of history which are now chronicle for us, many documents now mute, will in their turn be traversed with new flashes of life and will speak again.

These revivals have altogether interior motives, and no wealth of documents or of narratives will bring them about; indeed, it is they themselves that copiously collect and place before themselves the documents and narratives, which without them would remain scattered and inert. And it will be impossible ever to understand anything of the effective process of historical thought unless we start from the principle that the spirit itself is history, maker of history at every moment of its existence, and also the result of all anterior history. Thus the spirit bears with it all its history, which coincides with itself. To forget one aspect of history and to remember another one is nothing but the rhythm of the life of the spirit, which operates by determining and individualizing itself, and by always rendering indeterminate and disindividualizing previous determinations and individualizations, in order to create others more copious. The spirit, so to speak, lives again its own history without those external things called narratives and documents; but those external things are instruments that it makes for itself, acts preparatory to that internal vital evocation in whose process they are resolved. The spirit asserts and jealously preserves 'records of the past' for that purpose.

Theory & History of Historiography — Part 10

What we all of us do at every moment when we note dates and other matters concerning our private affairs (chronicles) in our pocket-books, or when we place in their little caskets ribbons and dried flowers (I beg to be allowed to select these pleasant images, when giving instances of the collection of 'documents'), is done on a large scale by a certain class of workers called _philologists_, as though at the invitation of the whole of society. They are specially known as the _erudite_ when they collect evidence and narrations, as _archæologists_ and _archivists_ when they collect documents and monuments, as the places where such objects are kept (the "silent white abodes of the dead") are called libraries, archives, and museums. Can there be any ill-feeling against these men of erudition, these archivists and archæologists, who fulfil a necessary and therefore a useful and important function? The fact remains that there is a tendency to mock at them and to regard them with compassion. It is true enough that they sometimes afford a hold for derision with their ingenuous belief that they have history under lock and key and are able to unlock the 'sources' at which thirsty humanity may quench its desire for knowledge; but we know that history is in all of us and that its sources are in our own breasts. For it is in our own breasts alone that is to be found that crucible in which the _certain_ is converted into the _true_, and _philology_, joining with _philosophy_, produces _history_.

Theory & History of Historiography — Part 10