"Yes," croaked Oliver, finding his voice at last.

"Very good," said the other. "Now when we stop I shall get out first of all, then you, then Gaspard. He will follow close behind us, and if you make so much as one noise, one little outcry--" The speaker stopped abruptly. They were now in the black gloom of a crooked, unlighted street, with high walls beetling upon either side, but even in the blackness of the gloom Oliver could feel that the other made a motion with his hands as though drawing a sack or bag over his head, and he shrank together closer than ever.

A Modern Aladdin — Part 12

Then suddenly the coach stopped. The next moment the door was flung open, and there stood Gaspard waiting. Oliver's companion stepped out upon the pavement. "Come," said he, and there was that in his voice that told Oliver that there was but one thing to do--to obey. The poor lad's legs and arms moved with a jerky, spasmodic movement, as though they did not belong to him, and Gaspard had to help him out of the coach, or else he would have fallen upon the pavement.

A Modern Aladdin — Part 12

"That is good," said his travelling companion when he at last stood upon the sidewalk. "Our legs are cramped by sitting so long, but we will be better by the time we have walked a little distance;" and he slipped his hand under Oliver's arm.

A Modern Aladdin — Part 12

The moon had now risen, and though it did not reach the pavement, the still pallid light bathed the upper stories of the houses upon the other side of the street above the sharp black demarcation of the lower shadows. They passed two or three strange spirit-like shapes, ragged and wretched; but soon leaving even these behind, and turning down a sudden crooked way, they came to a dark, lonely, narrow court, utterly deserted, and silent as death. At the farther side of this court was a brick wall, black with moss and mildew. Upon this wall the pallid moonlight lay full and bright, showing a little arched door-way that seemed to lead through it to, perhaps, a garden upon the other side. Here they stopped, and Gaspard, stepping forward, drew from his pocket two rusty keys tied together by a piece of twisted parchment. He chose one of the keys, and thrust it into the lock of the gate. The lock was old and rusty. Gaspard twisted at the key until his bony fingers were livid, then with a grating noise the key slowly turned in the rusty lock. The gate opened--not into the garden, as Oliver had expected to see, but into the inky darkness of the passage-way built into the wall.