THE CHIEF OF THE FABULOUS ANIMALS AND TWO GODDESSES

We have dealt shortly with the religions of China, and it is necessary to note in this connection how the emblems of the various religions became embodied as part of the decoration of porcelain; in fact, figures of the gods and goddesses were made associated with the symbols which seemed to indicate their work, and these comprised the dragon, the kylin, the lion, and the Fung-Hwang, Fwang-Hwang, Fong-Hoang or Ho-Ho Bird. N.B.--Variously spelt.

Chats on Oriental China — Part 17

The dragon is a familiar object on Chinese porcelain, and being the Imperial arms it typifies all that is powerful and indeed terrible. Especially sacred is the dragon of heaven--_lung_; but _li_, the dragon of the sea, and _kiau_, the dragon of mountains and marshes, are also worshipped and feared. The dragons are either scaly, winged, horned, hornless, or rolled up before rising to the sky in spring, or plunging into the water in autumn. The Imperial dragon is armed with five claws on each of its four members, and is used as an emblem by the Emperor's family, and by princes of the highest two ranks. The four-clawed dragon is used by princes of the third or fourth class. Mandarins and princes of the fifth rank have, as an emblem, the four-clawed serpent. The three-clawed dragon--the Imperial dragon of Japan--is, in China, the one commonly used for decoration. The sacred pearl, adorned with the Yang and the Yin, representing the male and female elements in nature, always appears to be attracting the dragon.

Chats on Oriental China — Part 17

The kylin, or k'i-lin, was an animal symbolising longevity and good government. It is often found upon porcelain as a part of the decoration. Its form is more like a deer than anything else, though it has the hoofs of a horse and the tail of an ox. Its head is like that of the dragon, and the body may or may not be covered with scales. In its mouth a bundle of scrolls or some symbol may often be found. Other monsters, notably the Corean lion, also called the Dog of Buddha or the Dog of Fô, are called kylins, but the true kylin is as described above. Though hideous in aspect, it shows the kindest disposition, and is so gentle that it would not step upon a worm.

Chats on Oriental China — Part 17

This animal, often miscalled kylin, is the habitual defender of Buddhist altars and temples, hence its name, the Dog of Buddha or the Dog of Fô. Its appearance is almost always menacing with its sharp, powerful teeth and claws. In reality it is a sort of lion transformed. It has a bushy, often a bristling, mane and a tufted tail. It is found painted on vases, or modelled in relief on the top of the covers for vases. When found as a figure the lion is usually playing with a ball, the lioness with a cub. He is one of four animals representing power and energy. The others are the elephant, leopard, and tiger.