A very nice, dapper, and respectful little preface, the time and place of writing which is solemnly recorded at the end-Hope _Place, 1st Sept._ 1803.

But how much fuller my satisfaction, as I fondly linger over this circumstantial paragraph, if the writer had recorded the precise hour of the day, and by what timepiece; and if he had but mentioned his age, occupation, and name.

Redburn: His First Voyage — Part 120

But all is now lost; I know not who he was; and this estimable author must needs share the oblivious fate of all literary incognitos.

Redburn: His First Voyage — Part 120

He must have possessed the grandest and most elevated ideas of true fame, since he scorned to be perpetuated by a solitary initial. Could I find him out now, sleeping neglected in some churchyard, I would buy him a headstone, and record upon it naught but his title-page, deeming that his noblest epitaph.

Redburn: His First Voyage — Part 120

After the preface, the book opens with an extract from a prologue written by the excellent Dr. Aiken, the brother of Mrs. Barbauld, upon the opening of the Theater Royal, Liverpool, in 1772:—

_“Where Mersey’s stream, long winding o’er the plain, Pours his full tribute to the circling main, A band of fishers chose their humble seat; Contented labor blessed the fair retreat, Inured to hardship, patient, bold, and rude, They braved the billows for precarious food: Their straggling huts were ranged along the shore, Their nets and little boats their only store.”_

Indeed, throughout, the work abounds with quaint poetical quotations, and old-fashioned classical allusions to the Aeneid and Falconer’s Shipwreck.

And the anonymous author must have been not only a scholar and a gentleman, but a man of gentle disinterestedness, combined with true city patriotism; for in his _“Survey of__ the Town”_ are nine thickly printed pages of a neglected poem by a neglected Liverpool poet.

By way of apologizing for what might seem an obtrusion upon the public of so long an episode, he courteously and feelingly introduces it by saying, that _“the poem has now for several years been scarce, and is at present but little known; and hence a very small portion of it will no doubt be highly acceptable to the cultivated reader; especially as this noble epic is written with great felicity of expression and the sweetest delicacy of feeling.”_