FASHION: THE POWER THAT INFLUENCES THE WORLD. By George P. Fox. New York: The American News Company. 1872.
The author of this work seems to have been “born with a divine idea of cloth.” According to him, fashionable dress is a preservative of morals. Easy and graceful garments are incompatible with deeds of violence. No one who ever honored the author with his patronage was ever convicted of a crime. We are as morally bound to offer a pleasing exterior to our friends as a smiling face. In Carlyle’s language, “Man’s earthly interests (to say the least) are all hooked and buttoned together by clothes. Society is founded on cloth.” The pen was once considered mightier than the sword, but shears are now in the ascendency. “Dress makes the man, and want of it the fellow.” Dress is a duty we owe ourselves, and inattention to it indicates a want of respect to others. Man’s chief duty is to sacrifice to the graces. Our author is the high-priest of fashion. He makes dress almost a sacrament--as Hazlitt says, “an outward and visible sign of the inward harmony of the soul.” _Non possumus_ does not seem to be in his code. There is no physical defect he cannot remedy. Witness the unhappy man in New York, with a long neck, low shoulders, and sallow complexion, at last able to hold up his head in society; the unfortunate British nobleman, whose attenuated and shapeless limbs are made to correspond more fully to our idea of sturdy John Bull; and President Fillmore’s life-long ambition for a pair of well-fitting pantaloons at length realized. Bow legs and knock-knees are all remedied. The old proverb of the Béarnais is verified: “_Habillez un bâton, il aura l’air d’un baron_.” A book that brings hope to all is a public benefaction. No Jonathan need despair of cutting a figure in the world after this, and he _should_ not. Dress, its color, style, and fit, are all matters of momentous interest (being so interwoven with our morals), as well as manners and the carriage of the body, which are not overlooked in this volume. As to the latter, everybody knows a stoop in the shoulders sinks a man in public and private estimation.
The _Saturday Review_ calls our author a Transcendental Tailor, a title he evidently merits. The _devise_ he assumed when he entered the _lists_ was _Faire sans dire_, which Daniel Webster did him the honor of quoting in an address before the New York Historical Society, as well as wearing his transcendent--we almost said transcendental--garments, both living and dead, for the blue coat with a velvet collar and gold-wove cloth buttons that shrouded the immortal statesman are almost a matter of history, and have been sworn to in the most solemn manner before the mayor of New York.