The distance to which sound can be conveyed through the speaking-trumpet is very surprising. The invention of the modern speaking-trumpet is generally accorded to sir Samuel Moreland, (1670,) and some of the large brass trumpets, made under his direction, carried the human voice from a mile and a half to between two and three miles distance. The efficiency of this instrument has been attributed to the repeated reflection of the sound, or waves of air, (like rays of light,) from side to side along the course of the tube, their ultimate efflux from the mouth of the instrument being in such a way, as either to cause the rays of sound to be collected into a focus at a distance, or to be projected forward in parallel lines, instead of allowing them to diverge in all directions, and on these principles various modifications in the form of the speaking-trumpet have been suggested.

The views, however, of professor Leslie do not coincide with this theory. "The performance of the speaking-trumpet," he says, "does certainly not depend upon any supposed repercussion of sound; repeated echoes might divide, but could not augment the quantity of impulse." His idea is, that "the tube, by its length and narrowness, detains the efflux of air, and has the same effect as if it diminished the volubility of that fluid, or increased its density." "The organs of articulation," he adds, "strike with concentrated force; and the pulses thus so vigorously excited are, from the reflected form of the aperture, finally enabled to escape and spread themselves along the atmosphere." The experiments of Hassenfratz, a French philosopher, are cited in support of this theory. He tried the power of a speaking-trumpet, by measuring the distance at which the ticking of a watch could be heard through it, and found the effect the same, whether the metal tube were used simply, or wrapped round in such a way as to prevent vibration. It was also heard at the same distance when the inner surface was lined with linen, or woollen cloth, to diminish reflection; and the range of a cylindrical trumpet was the same as that of a conical one.

The Senses and The Mind — Part 43

In the ear-trumpet, used by persons partially deaf, and in the stethoscope, it appears to us that we have concentrations of sound into a focus, by repeated reflexions of the aërial wavelets from side to side of the tube; and we may ask, does not the murmuring sound which we hear, when we apply a conch shell to our ear, arise from the same kind of percussion?

The Senses and The Mind — Part 43