For the first time Blanka now saw the people assembled in their holiday attire, a costume peculiar to the place, and showing a mixture of Hungarian and German dress. The men wore black dolmans faced with lamb's fleece, and further decorated with rows of carnelian and amethyst buttons, the setting of the stones being silver. Under the dolman was worn a waistcoat of fine leather embroidered with threads of silk and gold, and around the waist was girt a belt, as broad as one's hand, of red leather handsomely trimmed with strips of many-coloured skins. To complete this imposing outfit, there was thrown over one shoulder a handsome cloak richly embroidered with piping-cord, and furnished with a high collar made from the fur of the fox. A large silver brooch held the mantle together at the breast, while six rows of silver clasps adorned it on each side. The whole costume was luxurious in its appointments, and yet no one would presume to find fault with it on that score. The wearer had earned his adornment with the work of his hands.

As soon as the men were seated, the women entered. A Parisian modiste would have been put to the blush by the ingenuity of design displayed by these countrywomen's costumes. The dazzlingly white linen, the tasteful combination of lace, embroidery, and furbelows, the handsome bodice and woven belt, the richly trimmed cloaks, the skirts hanging in many folds, the silk pinafores, the black lace caps set off by white veils disposed in picturesque puffs and creases,--all betrayed a wealth of fancy and nicety of taste on the wearer's part that would be hard to match.

Manasseh — Part 104

After the matrons were seated, the maidens came in through the fourth and last door, entering now in pairs, now singly, and sat down on the two sides of the house, behind the married women. Finally the children were admitted,--a splendid phalanx, a company of angels of the Murillo and Bernini type.

Manasseh — Part 104

The pride of the Toroczko church is its people. The churches of Rome boast many a masterpiece of early Italian art on their walls, but their worshippers are ragged and dirty. The walls of the Toroczko temple are bare, but the faces of its congregation beam with happiness. No works of sculpture, resplendent with gold and silver and precious stones, are to be seen there. The people themselves are arrayed in costly stuffs and furnish the adornment of the house.

Manasseh — Part 104