“It is absolutely empty,” remarked the major. “The letter has been abstracted, probably without your knowledge.”

“I do not think so,” was Mr. Jeffrey’s unexpected retort. “Do you suppose that I would intrust a secret, for the preservation of which I was ready to risk life and honor, to the open pages of a book? When I found myself threatened with all sorts of visits from the police and realized that at any moment my effects might be ransacked, I sought a hiding place for this letter, which no man without superhuman insight could discover. Look!”

The Filigree Ball — Part 168

And, pulling off the outside wrapper, he inserted the point of his penknife under the edge of the paper lining the inside cover and ripped it off with a jerk.

The Filigree Ball — Part 168

“I pasted this here myself,” he cried, and showed us where between this paper and the boards, in a place thinned out to hold it, there lay a number of folded sheets, which, with a deep sigh, he handed over to the major’s inspection. As he did so he remarked:

The Filigree Ball — Part 168

“I had rather have died any natural death than have had my miserable wife’s secret known. But since the crime has come to light, this story of her sin and her repentance may serve in some slight degree to mitigate public opinion. She was sorely tempted and she succumbed; the crime of her ancestors was in her blood.”

He again walked off. The major unfolded the sheets.

Later I saw this letter. It was like no other that has ever come under my eye. Written at intervals, as her hand had power or her misery found words, it bore on its face all the evidences of that restless, suffering spirit which for thirty-six hours drove her in frenzy about her room, and caused Loretta to say, in her effort to describe her mistress’ face as it appeared to her at the end of this awful time: “It was as if a blight had passed over it. Once gay and animated beyond the power of any one to describe, it had become a ghost’s face, with the glare of some awful resolve upon it.” I give this letter just as it was written-disjointed paragraphs, broken sentences, unfinished words and all. The breaks show where she laid down her pen, possibly for that wild pacing of the floor which left such unmistakable signs behind it. It opens abruptly:

“I killed him. I am all that I said I was, and you can never again give me a thought save in the way of cursing and to bewail the day I came into your life. But you can not hate me more than I hate myself, my wicked self, who, seeing an obstacle in the way to happiness, stamped it out of existence, and so forfeited all right to happiness forever.